Name: Lost Innocence
Brand: Various

Tax rate EU

Default:19

Supplier EU

Rough Trade UK

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Black

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2023-10-27

Format multiplier

Catalogue number

MR446

UPC / Barcode

8435008844615

Black LP

Artist

Various

Label EU

Munster

Genre EU

Garage / Surf / Trash

Munster Records is a Spanish label founded by CEO [a1905630] and [a1187670]. The label originated in 1983 as a fanzine called "[l103736]", which later evolved into the renowned Munster Records. As a division of Distrolux SL, Munster Records is closely affiliated with sister label Vampi Soul. With their expertise in compilation and production, they have consistently delivered exceptional music to their audience.

Based in Santurtzi - Santurce (Bizcaia - Vizcaya), [a1728375] manages Munsterama distribution under Weirdo Musika, S.L. company. While operating independently from Munster Records, this separate entity plays an integral role in the success of the label.

If you are looking for high-quality music that spans various genres and eras, look no further than Munster Records. Their dedication to discovering unique talent and delivering exceptional releases has made them a trusted name among music enthusiasts worldwide.

Newest Listed Items

Top-rated West Coast garage sounds from the vaults of maverick genius Gary S Paxton. Acknowledged classics, tantalising obscurities and several previously unheard gems, all from the original master tapes, including tracks by Limey &amp; The Yanks, The Avengers, The Whatt Four, The Buddhas… among many others. Compiled by genre expert Alec Palao and originally released by Big Beat/ACE on CD only a few years back, it is now available on vinyl for the first time.  Vintage garage rock is only one of the many tributaries of popular music that the maverick Gary S Paxton recorded and produced in his 1960s heyday, and compared to other genres, the off-kilter genius behind ‘Alley Oop’ and ‘Monster Mash’ was hardly prolific with it. But for a producer-engineer of his repute, it was inevitable that Paxton would cross paths with the sudden surge of teenaged rock groups that emerged in the wake of the British Invasion. We’ve gathered the best of them on “Lost Innocence”, and for any aficionado of the genre, a treat is in store. As well as a brace of acknowledged Californian punk classics present and correct for the first time direct from master tape, this rockin’ little disc also shares further booty from the Garpax vaults, including some obscurities well worthy of re-appraisal, along with completely unreleased nuggets of note. Counting among the well-known are the Avengers, Bakersfield’s top dogs in the punk bracket thanks to snot-nosed missives such as ‘I Told You So’ and the controversial ‘Be A Cave Man’. Ken &amp; the Forth Dimension and Limey &amp; the Yanks serve up the highly regarded items ‘See If I Care’ and ‘Guaranteed Love’ respectively, with a trio of ear-opening unissued tracks from the latter as a bonus. Riverside’s Whatt Four weigh in with the popular ear-burners ‘Our Love Should Last Forever’ and ‘You're Wishin’ I Was Someone Else’. And the Buddhas’ title cut is still the most eloquent ode to carnal knowledge in the entire 60s punk pantheon. Most of the material on “Lost Innocence” was recorded at Paxton’s two Hollywood studios between 1965 and 1967, but some of the freakier cuts derive from facilities he ran from a converted bank in the Bakersfield suburb of Oildale in the last three years of the decade. These include the trippy ‘My Dream’ by the aforementioned Buddhas, the soul-punk of Canadian transplants the New Wing, and fantastic unreleased cuts by the Fog and Mental Institution, the latter one of the many pseudonyms Paxton acolyte Kenny Johnson used while recording at the studio. The eccentricities that are never far from a Paxton production inform a couple of tracks that nevertheless have punk merit. In particular, the unbelievable screaming on Carl Walden &amp; the Humans’ ‘I’ll Never Let You Go’ would put James Brown or Wilson Pickett to shame. Last but not least, the voluminous Garpax tape library revealed a tantalizing mystery in the unknown group responsible for a marvellous Raiders-style pounder titled ‘This Freedom I Have Found’. In the commercial environs of mid-1960s Hollywood, the producer remained omnipotent and Paxton would happily call on his seasoned session crew if you weren’t cutting it, musically speaking.  On “Lost Innocence”, however, most of the players remained those same wide-eyed teenagers that had been ushered into his presence. Their stories also have the same ring of truth as most youthful combos in that era: hearing your record on the radio for the first time, the expanded social and career possibilities afforded by membership of a successful local band and seeing that dream rent asunder by the draft. Yet having Gary S Paxton behind the controls, with his innate expertise and guidance, not to mention a soupçon of the appropriately bizarre, helped these same “typical” groups make some truly memorable music. Compiled by genre expert Alec Palao and originally released by Big Beat/ACE on CD only a few years back, it is now available on vinyl for the first time.&nbsp;

Lost Innocence

Music EU