Name: 1.Outside
Brand: David Bowie

Tax rate EU

Default:19

Supplier EU

Warner Music Group Germany Holding GmbH

Total Cap

Format detail

The Nathan Adler Diaries:A Hyper Cycle

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2022-08-05

Format multiplier

Catalogue number

9029525337

UPC / Barcode

190295253370

9029525338

190295253387

Artist

David Bowie

Label EU

Parlophone Label Group (Plg)

Genre EU

Multinational label.
Label Code: [b]LC 0299 / LC 00299[/b]
[b]Please note, many Parlophone issues also carry an EMI logo. This is not a label and EMI should not be added as a label, it instead indicates that Parlophone was part of the EMI Group.[/b]

Parlophone is an anglicization of the German [l=Parlophon] label, registered as a trademark in 1902 by Max Straus and Heinrich Zuntz of [b]Salon Kinematograph Co. GmbH[/b], later merged into [l=Carl Lindström A.-G.]. The first Parlophon records are pressed in 1910. 

By 1923, Parlophone proper appears in London administered by English Lindström branch known as [l311921],  Parlophon records were pressed in London and sold locally. By 1926 extended operations extended to press for export in Australia (#cat A) until the australian factory [l=Parlophone Co. Ltd.] was created somewhere the next year. These companies were subsequently taken over by [l97841] in 1927, following its acquisition of [l275192] in 1926, thus becoming a constituent part of [l293204] (EMI) when that company merged with [l253617] in 1931.

The label largely operated as a Jazz and Novelty label until manager, [a=George Martin], signed the [a=The Beatles] in 1962. As a result of its subsequent success and profile, the label was earmarked for phasing out in 1973 in favour of [l=EMI] (the label), however the parlophone imprint continued to be used by registered trademark owner [l=EMI Records Ltd.] and affiliated companies.

In September 2012 following the acquisition of [l1330982]'s US and Asian interests by [l=Universal Music Group], Parlophone and the former EMI Records Ltd. were merged as the [l806790] (PLG Holdco Ltd.) and spun off to be sold. 

They were sold to [l=Warner Music Group] in March 2013.
The Parlophone label is now owned by [l=Parlophone Records Ltd.], the re-named EMI Records Ltd., itself a subsidiary of [l=Warner Music International].

The Beatles were not part of the Parlophone Label Group and their catalogue was acquired by [l=Universal].

[b]This label contains releases on multinational markets. Do NOT create imprints for different countries. Cover that information on new releases with the country field and with notes about the release (releasing company, ℗&© note, mechanical rights etc.).[/b]

Parlophone

David Bowie, born on 8 January 1947 in Brixton, London, England, UK and died on 10 January 2016 in Manhattan, New York City, USA at the age of 69. He was a British pop/rock singer, musician, songwriter, and actor. Bowie is widely regarded as one of the most respected contemporary musicians of his time and is considered to be one of the most influential musicians of the 20th century.Bowie's contributions to the music industry have made him a leading figure in popular culture. His innovative style and unique sound have left an indelible mark on generations of artists and fans alike. With his extensive discography spanning various genres and his iconic alter egos such as Ziggy Stardust and The Thin White Duke, Bowie's artistic vision continues to inspire and captivate audiences worldwide.

Nashville Obsolete is the second solo outing for ace guitarist and producer David Rawlings, who for nearly two decades has shared the load with creative partner Gillian Welch to become one of folk and country music's most celebrated duos. Like 2009's Friend of a Friend, this seven-song mini-album is billed under the Dave Rawlings Machine banner and features a small ensemble that sees Rawlings and Welch swapping roles in what has become their familiar format. His reedy tenor voice that usually melts so effortlessly with Welch's takes the lead here on a set of melancholic songs that channel tones of Bob Dylan and Neil Young through the Dust Bowl filter that has become his bailiwick. With Welch and former Old Crow Medicine Show member Willie Watson supporting him on guitar and harmonies, the group also includes Punch Brothers' Paul Kowert on double bass. Beautifully captured on tape with the mix of spontaneity and professionalism expected from a Rawlings / Welch performance, Nashville Obsolete has something of a brooding grandeur to it with standouts like Short Haired Women and the meandering, 11-minute The Trip feeling bigger and deeper than the small group of players producing them. Aside from some of the added instrumental ornamentations - which are all quite tasteful - this neo-traditional country with a noir bent is familiar territory for Rawlings, and the album files pretty easily into the existing body of work he's made with Welch, regardless of which one of them is at the front mike. More uptempo songs like The Last Pharaoh and Candy keep things from becoming overly downcast and the album ends on a high note with Pilgrim (You Can't Go Home), a song that mixes dazzling three-part harmonies with a bit of the latent rock spirit that always seems to be buzzing at the edge of Rawlings' periphery.LP - First time on Vinyl. Mastered direct from the original tapes through custom Ortofon amplifiers to the artists’ own personal Neumann VMS-80 cutting system. Plated and pressed at Quality Record Pressings on 150 Gram audiophile-quality vinyl. Packaged in an "Old Style Tip-On" Gatefold jacket with lyrics (for the first time) and with a fold-out photo collage and a black poly-lined audiophile sleeve.

1.Outside

Music EU