Name: Think
Brand: James Brown

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2023-01-27

Format multiplier

Catalogue number

5239431

UPC / Barcode

3596974239968

Artist

James Brown

Label EU

Wagram

Genre EU

Funk / Soul

Wagram Music is a French independent label and distributor, recognized as one of the top 10 independent European labels. With a diverse range of musical styles, Wagram Music covers the entire territory and all distribution channels. Founded in 1998 by Stéphan Bourdoiseau with the support of a financial partner, the label acquired assets from Arcade Music Company France to establish its presence in the industry.

As an influential player in the music market, Wagram Music has made significant contributions to promoting various genres and supporting talented artists. With their extensive catalog, they offer a wide selection of *artists* and *performers*, ensuring that music enthusiasts can find something to suit their tastes.

It's important to note that when referring to releases from Wagram Music, the code "WAG nnn" should not be entered as a catalogue number but rather as a general price code in the BAOI section. The label codes associated with Wagram Music are LC 12545 or LC 24761.

Wagram Music

James Brown was an American singer, songwriter, arranger, and dancer, who was one of the most important and influential entertainers in 20th-century&nbsp;popular music&nbsp;and whose remarkable achievements earned him the honorific nickname “the Hardest-Working Man in Show Business.”

Brown began his career as a&nbsp;gospel&nbsp;singer and rose to prominence in the mid-1950s, building&nbsp;a reputation as a dynamic live performer with the Famous Flames and his backing band, sometimes known as the James Brown Band or the James Brown Orchestra. His success peaked in the 1960s with hit singles such as "Papa's Got a Brand New Bag", "I Got You (I Feel Good)" and "It's a Man's Man's Man's World".

During the late 1960s, Brown moved to a new approach to music-making, emphasising stripped-down interlocking rhythms that influenced the development of funk music. By the early 1970s, Brown had fully established the funk sound with records such as "Get Up (I Feel Like Being a) Sex Machine" and "The Payback". He also became noted for songs of social commentary, including the 1968 hit "Say It Loud – I'm Black and I'm Proud". Brown continued to perform and record until his death in 2006.

James Brandon Lewis is a New York-based jazz tenor saxophonist, composer, and bandleader.His instrumental voice marries the emotional power of gospel and the grit and groove of blues and R&amp;B to the modal and vanguard influences of Albert Ayler and John Coltrane, and Sonny Rollins' expressive melodic and tonal discipline. Moments, his 2010 debut, was followed by two outings for Sony Masterworks' revived OKeh imprint: Divine Travels in 2014 and the widely celebrated Days of Freeman the following year.After working American stages and clubs, he toured European and Asian festivals. Radiant Imprints, a duo outing with drummer Chad Taylor, appeared in 2018 and was followed by the quintet offering An UnRuly Manifesto a year later. In 2021, after he was selected as the "Rising Star Tenor Saxophonist" in the Downbeat International Critics Poll, Lewis issued The Jesup Wagon, his debut for Tao Forms. Along the way, Lewis drew the attention of many improvising artists, most notably the saxophonist and jazz deity Sonny Rollins, who doesn't offer effusive praise very often. Moved by Lewis' deep, spirit-seeking sound, Rollins said "When I listen to you, I listen to Buddha, I listen to Confucius ... I listen to the deeper meaning of life. You are keeping the world in balance."Eye of I opens with 44 seconds of gritty, high-throttling low-down groove, an ear pulverizing opening designed to cleanse all traces of ordinary from the palette. From there, Lewis offers a prayerful cover of Donnie Hathaway's "Someday We'll All Be Free" and then the first of his disarmingly addictive originals, "The Blues Still Blossoms" in addition to many others.

Think

Music EU