Name: Companion Rises
Brand: Six Organs Of Admittance

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2020-02-21

Format multiplier

Catalogue number

5190261

UPC / Barcode

781484077718

Artist

Six Organs Of Admittance

Label EU

Drag City

Genre EU

Alternative / Modern

Drag City is a renowned music label that was founded by Dan Koretzky and Dan Osborn. With an impressive roster of artists, Drag City has established itself as a leading force in the music industry. Known for their diverse range of genres, the label has consistently released groundbreaking and influential albums. From indie rock to experimental folk, Drag City continues to push boundaries and nurture innovative talent.

Since its inception, Drag City has been dedicated to supporting artists who defy conventions and create unique sounds. The label's commitment to artistic freedom has allowed musicians to explore their creativity without limitations. This approach has resulted in a catalog of critically acclaimed albums that have resonated with audiences worldwide.

With an unwavering focus on quality over quantity, Drag City carefully curates its releases, ensuring each album receives the attention it deserves. Their meticulous attention to detail extends beyond the music itself, with beautifully designed album artwork and packaging that enhance the overall listening experience.

Six Organs Of Admittance is the musical project of guitarist Ben Chasny. With a career spanning over two decades, Chasny has established himself as a prominent figure in the experimental folk and psychedelic rock genres. Known for his intricate guitar work and mesmerizing compositions, Six Organs Of Admittance creates music that transcends boundaries and explores new sonic territories. From delicate acoustic melodies to sprawling electric soundscapes, Chasny's unique blend of influences results in captivating and immersive listening experiences.
Throughout his discography, Six Organs Of Admittance has consistently pushed the boundaries of what can be achieved with a guitar. Chasny's virtuosic playing style combined with his innovative use of effects pedals and unconventional tunings create a distinctive sound that is instantly recognizable. His ability to seamlessly blend elements of traditional folk music with avant-garde experimentation sets him apart from other artists in the genre.
With numerous critically acclaimed albums under his belt, including "School of the Flower" and "Ascent," Six Organs Of Admittance continues to captivate audiences worldwide. Whether performing solo or collaborating with other musicians, Chasny's live performances are known for their intensity and raw emotion. As an artist who constantly evolves and pushes artistic boundaries, Six Organs Of Admittance remains at the forefront of contemporary experimental music.

Six Organs of Admittance is back after 3 years with a new record, new techniques in sound generation, and a new attitude. Companion Rises has a driving force only hinted at with previous releases. Manipulating the rhythmic DNA from songs such as the bass-dominated Taken by Ascent (on his last record, Burning the Threshold), Ben Chasny has grown a new sound creature in his lab that is as welcoming as it is terrifying and as fun to listen to as it provocative and intriguing.Methodologically, Companion Rises sometimes recalls the early-mid low-fi work of Six Organs, with modern techniques swapping digital processes in for the analog techniques of those early days, and algorithmic programs creating the rhythms rather than Ben’s overdubbed hand percussion. Also like those early records, Companion Rises has Ben creating all the sounds, doing all the recording and mixing the entire record himself. But do not mistake this as some sort of return to an older sound. One listen and it is obvious that this Six Organs of Admittance release is all in the present. One thinks of Octavio Paz’s oft used metaphor of the concentric circle, as Companion Rises returns to a similar place but is much farther out from the center.Sonically, Ben’s songs are bursting with ideas, harmonically rich, gorgeously arranged; often presenting two versions at once, overlaying electric and acoustic treatments that interlock like two shards that form a single key. Companion Rises plays like a mutant joining of avant and good-time forces, as if Faust produced The Revolution instead of Prince, or This Heat recorded on top of Amon DuuI’s classic Paramechanical World, but left a few of the original tracks to bleed through. Waves of electric fields wash across the record like a charged Pacific Ocean and guitar solos slice through at various intervals in a warped and fractured way of shreddage, not totally unlike the imagined sound of Edie Hazel jacking into the CPU in Tron.Thematically, many songs on Companion Rises seem to navigate a similar Stellar-Gnosticism that 2012’s Ascent explored, but with a completely different set of stories. Whereas Ascent was locked into a narrative concerning a sentient Jupiter, Companion Rises presents a handful of folk-tales whose topics span in scope from panspermia to specific constellations, all written in a way that eschews new age presentation tropes and embraces the now. With Companion Rises, Ben has created a Sci-Folk record that feels totally in the right place welcoming in the new decade.

Companion Rises

Music EU