Name: White Roses, My God
Brand: Alan Sparhawk

Bonus disc

Bonus disc: No

Catalogue number

SP1655RT

Colour

Purple

Colour details

Clear Purple and Black Marbled

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: Yes

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2024-09-27

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

098787165555

Total Cap

Purple LP | Rough Trade Exclusive

SP1655X

Clear

Crystal Clear

Rough Trade Exclusive: No

Extended format: No

0098787165500

9999

Clear LP

SPCD1655

009878716552

Artist

Alan Sparhawk 

Genre GB

Alternative / Modern

Label GB

Sub Pop

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

Vinyl variants, bonus material and signed editions exclusively available from Rough Trade.

Alan Sparhawk of Low’s solo debut for Sub Pop is at once a bold new, electro-pop-infused adventure, and an extension of the innovation and experimentation that drove his work as a member of Low. It is his first album since the tragic 2022 loss of his wife and partner in Low, Mimi Parker. Recorded primarily by Alan at his home, with additional work and mixing by co-producer and young Minneapolis musician Nat Harvie.&nbsp; 

Alan Sparhawk has always been a prolific, protean musician. A restless soul eager to explore unfamiliar sonic and psychic terrain. Though he’s obviously (and justifiably) best-known for his thirty years as frontman of the legendary band Low, a look at Sparhawk’s many side projects across that same span of time shows him experimenting with everything from punk and funk to production work and improvisation. Low itself never settled for a set sound or approach. The band was always a collaboration—a conversation, a romance—between Sparhawk and his wife, Mimi Parker, who was the band’s co-founder, drummer, co-lead vocalist, and its blazing irreplaceable heart. To take the journey from Low’s hushed early work, through the tremendous melodies of their middle period, all the way to the late lush chaos of their final albums, is to witness heads, hearts, and spirits in an act of perpetual becoming. Parker passed away in 2022 after a long battle with cancer, and there is no question that&nbsp;White Roses, My God is a record borne of grief. You can hear it in the title, as well as tracks such as “Heaven”, in which Sparhawk describes the afterlife, wrenchingly, as “a lonely place if you’re alone.” You can sense it too in Sparhawk’s decision to create this thing entirely on his own: every note, every lyric, every programmed beat. It would be reductive, even foolish, to see grief as the sole source or the final limit of this taut, brilliant, provocative, thrilling album, whose bold experimentation is powered by profound lyrics and propulsive beats.

“Can you feel something here?” Sparhawk asks on “Feel Something.” The line repeats over and over, evolving first into “I want to feel something here” and then “Can you help me feel something here?” Meanwhile the musical means he’s chosen to convey this message—especially the pitch-shifter—might seem at first like they’re making it harder to access that very something he wants us (and himself) to feel. Isn’t the vocoder a barrier between us and the deep emotionality we’ve long associated with an Alan Sparhawk vocal? Maybe, maybe not. Probably not. But even if it is, then it’s a barrier worth breaking and the music itself is the hammer. Sparhawk conjures forth the ghosts trapped inside these machines.&nbsp;White Roses, My God is an exorcism whose purpose is not to banish the spirit but to set it free.&nbsp; In many ways&nbsp;White Roses, My God feels like a hard break with the past, almost a debut. And yet there’s incredible continuity with Sparhawk’s past work and his traditional ways of working. He’s pathbreaking, yet again, invested as ever in the endless process of becoming himself. As he puts it on “Station”: “I can please myself with the things I seek out.” Us, too. We are lucky to be here to hear it as it happens.

White Roses, My God

Music GB

Discover White Roses, My God by Alan Sparhawk on Sub Pop. A bold electro-pop-infused solo debut album, a poignant journey of grief and experimentation.