Name: Queens of the Circulating Library
Brand: Coil

Bonus disc

Bonus disc: No

Catalogue number

DAIS187LP-C2

Colour

Clear

Colour details

Clear with Baby Blue Splatter

Discogs ID

[r26143865]

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: Yes

Extended format

Extended format: Yes

Format detail

Shared Exclusive with HHV

Format Music GB

Limited edition

Release date

2022-01-27

Signed copies

Signed copies: No

Supplier GB

Rough Trade NYC

Tax rate GB

Standard:20

UPC / Barcode

011586674615

Total Cap

Clear LP | Rough Trade Exclusive

DAIS187LP

Black

Rough Trade Exclusive: No

Extended format: No

2023-01-27

011586674585

Black LP

DAIS187LPC3

Blue

Transparent Blue

[r25755142]

2023-01-13

011586674608

1 / Blue / Extended format: Yes / LP

DAIS187CD

011586674578

1 / CD

Artist

Coil

Genre GB

Experimental / Avant-Garde / Industrial / Noise

Label GB

Dais

Dais Records is an independent American record label founded by Gibby Miller and Ryan Martin in 2007. Based in Los Angeles, California and New York, New York, Dais Records operates as a genre-agnostic label with a focus on experimental and avant-garde music. The label represents both emerging and established active artists while also curating rare and out of print material for reissue projects. Dais Records exclusively distributes its releases through Secretly Distribution.

Formed in London in 1983, Coil was initially a solo side project by John Balance, who was also a member of Psychic TV. In 1984, Balance joined forces with Peter 'Sleazy' Christopherson, another founding member of Psychic TV and former Throbbing Gristle member. Tragically, John Balance passed away in 2004, leading Peter Christopherson to decide that Coil would not continue. Sadly, Peter Martin Christopherson also left us in 2010 at the age of 55.

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Back In Stock

Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound’s Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone. Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions” upon its initial release in 2000, the album remains a compelling case study in Coil’s exceptional capacity for mutation and extremes.

The theatrical introductory monologue delivered by Thighpaulsandra’s mother – a career opera singer, in her 80’s at the time of recording – sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: “Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university.” As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a “bliss out,” static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."

Queens of the Circulating Library

Music GB