Name: Every Life Is A Light
Brand: Joni Void

Bonus disc

Bonus disc: No

Catalogue number

CST182LP

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

180 Gram Vinyl with Printed Inner and Art Card.

Format Music GB

Limited edition

Release date

2025-03-14

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

0666561018214

Total Cap

9999

Black LP

CST182CD

Download code: No

Custom Paperboard Mini-Gatefold Sleeve with Printed Inner.

0666561018221

Artist

Joni Void

Genre GB

Modern Composition

Label GB

Constellation

Joni Void is the artistic persona of Montréal-based French-British producer Jean Néant (he/them), whose output and various projects showcase their interest in experimentation, improvisation, collaboration and multi-genre explorations. Self-described as ‘cinéma-tek/cameratronica’ music, the montage-based production of Joni Void incorporates elements of electronic and sample-based beats, rap & hip-hop, psychedelia, musique concrete, plunderphonics, ambient, drone, glitch, minimalism & electro-acoustic/improvised music. By way of their platform Everyday Ago, Joni Void have extended their sound practice into other collaborative and live-based projects.

Néant’s sound-world began developing in their early teens. A self-taught producer hailing from Lille, France and operating under the moniker ‘johnny_ripper’, they displayed unprecedented dexterity with remixing and sampling as well as a singular style of composition on piano keyboards and other virtual instruments; engaging purely online with DIY artists-communities; with no knowledge or intention of performing live; limited knowledge of the music industry at large. Released in August 2011,Néant’s first official album Soundtrack for a film that doesn’t exist accurately describes their style and modus operandi.

The johnny_ripper project shifted drastically when Néant moved to Montréal at the end of 2012 to pursue film studies. They found personal meaning and sol

Distributed by <a href="http://scdistribution.com">SC Distribution</a>, Constellation has established itself as a reputable force within the music industry. The label's commitment to quality and artistic expression shines through in every release. Whether you're a fan of experimental sounds or simply appreciate boundary-pushing music, Constellation offers an unparalleled listening experience.

Discover the captivating world of Constellation today and immerse yourself in the extraordinary talent that this Canadian label has to offer.

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Montréal producer and sound collagist Joni Void returns with their warmest and most welcoming album yet, wedding their sampledelic songcraft to rubbery and percolated downtempo beats. Every Life Is A Light expands on Void’s recent stylistic turn towards more languorous and mellow lo-fi production, foreshadowed by the drifting looseness and ambient bricolage of their preceding experimental sound-art record. This transitional sensibility now shapes more defined song structures and styles, with loops are given time and space to unspool, and rhythms shot through the softer-focus lens of trip-hop and dub. Every Life Is A Light swaps the twitchy insistence of Void’s acclaimed early albums for a newfound lightness and suppleness, still imbued with all the restlessness, sonic detailing, and emotional resonance that made their name. The neurotic broken machine kinetics of earlier Void, summarized by Sasha Geffen as “drawing despair and wonder from within the vast unfeeling of digital communication” in an 8.0 Pitchfork review, may be chilling out, but Void is becoming an ever better conjurer of hauntological feeling. Every Life Is A Light summons this in a comparatively buoyant, benevolent, head-nodding journey more open to tenderness and modest joys. Perhaps it’s the sound of Void at greater peace with themselves and the world, despite the bittersweet cost: even as it channels grief, memorializing comrades and companions recently deceased, this album wants light.

Void’s raw materials continue to draw heavily from samples (their own Walkman cassette field recordings and songs by others) and from a wide community of musical guests. Vocalists Haco on “Time Zone” and Ytamo on “Cloud Level” help levitate what could be lost tracks from a mid-90s Too Pure Records compilation of skewed-lounge electronica. Canadian musician Sook-Yin Lee sings on lead single “Vertigo,” a sinewy 80bpm tape-loop and bassline groove propelled by psychedelically-layered lyrics that eventually turn the song in on itself entirely, like Grace Jones’ “Nightclubbing” covered by Animal Collective. One of Void’s greatest hip-hop loves is the Ruby Yacht collective; charter member Pink Navel drops some brilliant verses on “Story Board.” The album’s two minimal tracks, an extended piano loop set to a slow beat and shimmering electronics on “Muffin–A Song For My Cat” and the languid sampled bass riff and breakbeat of “Event Flow,” are perhaps most overtly ‘lofi chill.’ Indeed the whole album could be said to sit adjacent to those viral (if not already AI-generated) genre trends, which maybe begs the question on a lot of our minds: can specificity and authenticity of musical materials still be heard, still meaningfully signify substance and difference, still matter? Perhaps a question that fades in comparison to the career break Void could catch by landing on generic streaming playlists. More likely, these tracks remain too off-kilter, too genuinely lo-fi and ineffable, and too disqualified by the status of its peasant rights-holders, to catch the algos. Context remains the poor cousin of content. Meanwhile Void marches on, as a tireless organizer of local music events, bouncing around and often living in DIY venue, depending on the latest apartment eviction. With an ubiquitous polaroid camera in tow, they also document each communal happening with a single shot (and often blinding flash bulb): a memory and metaphor for lives illuminated preciously, singularly, ‘imperfectly’ in the moment. Dozens of these polaroids adorn the album’s back cover and inner sleeve art in grid-like montages, as a fitting analog for the careful construction, grainy intimate materiality, and ephemeral feeling of these songs.

Every Life Is A Light is Joni Void’s most coherent and congenial record while relinquishing none of their experimentalist acumen as a producer or emotional attunement as a composer. Instead these qualities flourish, on an album that lights a humble flame for the fragile promise of homespun creative collaboration as unalienated labour and therapeutic communion, making an enchantingly idiosyncratic contribution to downtempo sample music along the way. Thanks for listening.

For fans of&nbsp;Cibo Matto, Andy Stott, Blithe Field, Yuka Honda, DJ Shadow, Kenny Seagal, Susumu Yokota.

Every Life Is A Light

Music GB

Discover Every Life Is A Light by Joni Void on Constellation. Vinyl records music - a warm, welcoming album blending sampledelic songcraft with downtempo beats.