LŪP came about when Campbell was commissioned to build a custom tape-looper for prolific Fife-based independent singer-songwriter King Creosote. He tells us “I wanted the machine to embody the compositional ideas of the two esteemed New York avant-garde composers – William Basinski and Steve Reich. It plays 12 second tape loops which ‘disintegrate’ over time as the tape passes near to a rotating magnetic disc. This rotating disc also provides a clock and drives two eccentric cams which sends out ever-shifting phase patterns. You can hook the machine up to a modular synthesiser and process the disintegrating tape loops while generating Reichian phase shifting patterns.”

The result is a dynamic, minimalist and introspective ambient pleasure. From the glistening and meditative soundscapes of opener ‘We Go Slow’, ‘Swam’ and ‘Sister’, through the pulsating electronics of ‘Otherly’ and ‘Rad Brad Ivy’ into the latter part of the record where tracks such as ‘WVN028’, ‘Creosote’ and ‘Songs Of The Wildbirds’ bask in eerie, sinister atmospherics, it imagines industrial urban expanses peppered with distant melodic birdsong. LŪP navigates the worlds between music and art, craft and engineering, fantasy and science.