Name: Nicks and Grazes
Brand: Palm

Bonus disc

Bonus disc: No

Catalogue number

LBJ351CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-12-09

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

0648401035124

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

LBJ351LPC1

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Orange

Opaque Orange

{"blocks": [{"data": {"text": "Opaque Orange"}, "type": "paragraph"}]}

[r24979207]

Extended format: Yes

2022-10-28

0648401035100

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / orange

LBJ351LP

{"blocks": [{"data": {"text": "LBJ351LP"}, "type": "paragraph"}]}

Black

0648401035117

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Palm

Genre GB

Alternative / Modern

Label GB

Saddle Creek

Palm is an innovative and boundary-pushing artist who has made a name for themselves in the music industry. With their unique blend of genres, Palm creates captivating and thought-provoking music that resonates with listeners.
Having gained recognition for their experimental sound, Palm continues to push the boundaries of what is possible in music. Their ability to seamlessly blend different styles and create intricate compositions sets them apart from other artists.
With a dedicated fan base and critical acclaim, Palm's music is not only enjoyable but also intellectually stimulating. Their passion for pushing creative boundaries shines through in every track they produce, making them a must-listen artist for any music enthusiast.

Saddle Creek is an indie rock style label based in Omaha, Nebraska. Established in 1993 by Mike Mogis and Justin Oberst, the label was originally called Lumberjack Records. However, Mogis soon passed on his role to Conor Oberst, who took over as the head of the company. With a focus on independent music and a passion for supporting emerging artists, Saddle Creek has become a prominent name in the music industry.
Over the years, Saddle Creek has been home to various talented musicians and bands, including Bright Eyes, Cursive, and The Faint. Known for their unique sound and authentic approach to music-making, these artists have helped shape the label's identity.
With its headquarters in Omaha, Saddle Creek continues to be at the forefront of indie rock music. Their dedication to fostering creativity and providing a platform for up-and-coming talent makes them a respected authority in the industry.

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Back In Stock

To confuse parts for the whole is inevitable with Palm. Drummer Hugo Stanley, bassist Gerasimos Livitsanos and guitarists/vocalists/high school sweethearts Eve Alpert and Kasra Kurt started making music together as teenagers, and spent much of their twenties in the kind of proximity unusual for adults, outside of touring bands and the International Space Station. For a number of years the band consumed the lives of its members to a point of exhaustion: “To be honest I think we got a little burnt out. There were times where it wasn’t clear if we’d make another record,” says Alpert. It was only after multiple freak injuries followed by a pandemic, forced a pause - from touring but also from writing, rehearsing, even seeing each other- that the four were able to regroup and see a way forward again. On their latest effort, Nicks and Grazes, Palm embrace discordance to dazzling effect. “We wanted to reconcile two potentially opposing aesthetics,” Kurt says. “To capture the spontaneous, free energy of our live shows while integrating elements from the traditionally gridded palette of electronic music.” In order to avoid what Kurt refers to as “Palm goes electro,” the musicians spent years educating themselves on the ins and outs of production by learning Ableton while also experimenting with “the percussive, textural, and gestural potential” of their instruments. To this end, the band continued the age-old tradition of instrument-preparation, augmenting guitars with drumsticks, metal rods and, at the suggestion of Charles Bullen (This Heat, Lifetones), coiling rubber-coated gardening wire around the strings. The unruliness of the prepared guitar on songs like “Mirror Mirror” and “Eager Copy” contrasts with the steadfast reproducibility of the album’s electronic elements. While Palm cite Japanese pop music, dub, and footwork as influences on this album’s sonic palette, they found themselves returning time and again to the artists who inspired them to start the group over a decade ago. “When we were first starting out as a band, we bonded over an appreciation of heavy, aggressive, noisy music,” Alpert reflects. “We wrote parts that were just straight-up metal.” Kurt adds, “I found myself rediscovering and re–falling in love with the visceral, jagged quality of guitars in the music of Glenn Branca, The Fall, Beefheart, and Sonic Youth, all important early Palm influences.” Returning to the fundamentals gave Palm a strong foundation upon which they could experiment freely, resulting in their most ambitious and revelatory album to date.

Nicks and Grazes

Music GB