Name: Pacific Breeze: Japanese City Pop, AOR and Boogie 1976-1986
Brand: Various

Bonus disc

Bonus disc: No

Catalogue number

LITA16312

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Colour

Pink

Colour details

Discogs ID

[r25020751]

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Deluxe Wide Spine Jacket with Over Sized Fold-out Booklet, Full Colour Printed Inner Sleeves, a Custom Die Cut Obi Card.

Format Music GB

Limited edition

Release date

2022-09-09

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

826853216326

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Total Cap

2 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / pink

LITA163LP

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Black

Extended format: No

Deluxe Wide Spine Jacket with Over Sized Fold-out Booklet, Full Colour Printed Inner Sleeves, & Custom Die Cut Obi Card.

0826853016315/

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Black LPx2

Artist

Various

Genre GB

Disco / Balearic

Label GB

Light in the Attic

Light In The Attic (LITA) is an independent record label based in Seattle, Washington. Established in 2002 by two music enthusiasts, LITA began as a concert productions company before venturing into reissuing lost classics with modern packaging and production. With a passion for preserving and celebrating music history, LITA has become a respected authority in the industry.
Since its inception, LITA has been dedicated to unearthing forgotten gems and giving them new life. Their carefully curated catalog spans various genres and eras, showcasing the diversity of musical talent that may have otherwise been overlooked. From soulful R&B to psychedelic rock, LITA's releases are cherished by collectors and music lovers alike.
With their meticulous attention to detail and commitment to quality, LITA has gained recognition for their exceptional vinyl reissues. Each release is thoughtfully remastered from original tapes or best available sources, ensuring that the essence of the music is preserved while delivering an enhanced listening experience for modern audiences.

Check out our latest restocks of vinyl records, CDs, books and merchandise at Rough Trade. Dive into rare finds, classic albums and add something special to your collection.

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Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Itspocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Japan’s financial buoyancy also permeated its popular culture, birthing an audio analog called City Pop. This new sound arose in the mid ’70s and ruled through the ’80s, channeling the country’s contemporary psyche. It was sophisticatedmusic mirroring Japan’s punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.

Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early ’70s, as heard on Light In The Attic’s acclaimed Even a Tree Can Shed Tears: Japanese Folk and Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was,“Deconstructing the line between imitation and authenticity.” Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.