After a run of critically-acclaimed singles and EPs, British producer Michael Greene, aka Fort Romeau, returns to the full-length format with Beings of Light, the long-awaited follow-up to 2015’s Insides and his second LP on Ghostly International. While a prolific DJ who orients many of his productions for the dancefloor, Greene still sees the album as the ultimate statement of intent, “a space to stretch out, to speak in full paragraphs rather than stunted sentences.” He has explored several stylistic fragments in recent years (including the summer 2018 anthem “Pablo,” hailed a Best New Track by Pitchfork), but when faced with the extended pause to the dance community in 2020, Greene felt compelled to focus on a larger body of work. Embracing a back-to-basics mentality, he amassed over a dozen hours of sounds, asking himself throughout the sessions: “Does the music move you? Is it honest?” He came out the other end with Beings of Light, an expressive collection traversing rainy day ambient, moonlit disco, and dream-like techno in pursuit of the power found within our subconscious.

Like previous Fort Romeau records, Greene’s foundational inspiration for Beings of Light is imagery. Specifically, a work by Steven Arnold, a Dalí protégé known for con structing otherworldly, tableau vivant set designs from found objects until his death in 1994 amid the AIDS crisis. Arnold’s 1984 photograph Power of Grace (featured as the album art and lending a title to one of its tracks) spoke to Greene immediately: “It’s transcendent in the most potent and direct manner, imagination untethered by material, elegance without riches. Imagination always wins over resource.” The visual, as well as the surrealist idea that dreams allow us to create a better reality, led Greene to shape his most ambitious and complete record to date, a love letter to dance music coded with a message of hope. The album title comes from his belief that people can facilitate change by first imagining the way we want things to be, and not letting cynicism block that light.