Looking back, Jimmy Edgar has a lot to be proud of. Over the course of the last decade-and-a-half, the Detroit native has proven both a celebrated favorite and consistent fixture of dance music in its multitudinous forms. Looking over the arc of his lengthy and diverse discography, both under his own name as well as pseudonymously, it's hard not to see him as one of the most innovative producers and skilled sound designers to emerge this millennium, an artist whose legacy has touched untold numbers of home listeners and dance floor revelers alike.
Continuing on his spirited journey through the multifaceted realm of electronic music, Jimmy makes a grand return to the solo album fat with ‘Cheetah Bend’ for Innovative Leisure, the same label behind his most recent J-E-T-S output with Machinedrum. Recorded over the past few years in multiple cities including Atlanta, Detroit, and, of course, L.A., it draws upon his vibrant discography as much as it does the contemporary ubiquity of rap music. Coming some eight years after ‘Majenta’, his oft-explicit set of pop-wise booty anthems, the album improbably synthesizes what might seem like disparate styles together, resulting in something as cohesive as it is engrossing.
Looking back, Jimmy Edgar has a lot to be proud of. Over the course of the last decade-and-a-half, the Detroit native has proven both a celebrated favorite and consistent fixture of dance music in its multitudinous forms. Looking over the arc of his lengthy and diverse discography, both under his own name as well as pseudonymously, it's hard not to see him as one of the most innovative producers and skilled sound designers to emerge this millennium, an artist whose legacy has touched untold numbers of home listeners and dance floor revelers alike.
Continuing on his spirited journey through the multifaceted realm of electronic music, Jimmy makes a grand return to the solo album fat with ‘Cheetah Bend’ for Innovative Leisure, the same label behind his most recent J-E-T-S output with Machinedrum. Recorded over the past few years in multiple cities including Atlanta, Detroit, and, of course, L.A., it draws upon his vibrant discography as much as it does the contemporary ubiquity of rap music. Coming some eight years after ‘Majenta’, his oft-explicit set of pop-wise booty anthems, the album improbably synthesizes what might seem like disparate styles together, resulting in something as cohesive as it is engrossing.