The new record follows Priddy’s sophomore LP The Pendulum Swing which firmly established her as one of the most exciting artists on the contemporary British music scene. Produced by Rob Ellis (PJ Harvey, Anna Calvi, Bat for Lashes), These Frightening Machines was written over the course of a year as Priddy made the transition from her 20s to her 30s.  The most sonically varied of her career, the songs span a full spectrum of emotions from anger and despair to hope, longing and lust, from reclaiming the voices of women silenced by history, to expressing solidarity and love, to confronting illness, disconnection, the vulnerability and importance of relationships, and the general ache of growing older and not always wiser.

They explore what it means to keep going when things fall apart, to hold onto connections in a world that sometimes divides, and to figure out where we fit into the machines and systems we find ourselves a part of. “I wanted to end this album on a question mark,” said Priddy “as whilst I’d have hoped to have it all figured out by the third album and my third decade, I’ve come to accept that perhaps part of being human is being a perpetual work in progress. Could this collection of songs be enough? If it strikes a match and casts a little light for anyone who has ever felt their body falter, their love waver, or time slip through their fingers, then that’s enough for me.” Guests include singer/songwriter Torres who duets on ‘Madeleine’ and Richard Walters who duets on ‘I’m Always Willing’. Revered, alt folk multi-instrumentalist Ben Christophers (Natasha Khan, Guy Garvey and many more) features on most of the album’s tracks.