Name: Everybody Digs Bill Evans
Brand: Bill Evans

Bonus disc

Bonus disc: No

Catalogue number

DOL727H

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2024-03-29

Signed copies

Signed copies: No

Supplier GB

Lasgo

Tax rate GB

Standard:20

UPC / Barcode

0889397557270

Total Cap

Black LP

Artist

Bill Evans

Genre GB

Jazz

Label GB

Not Now

William John Evans, better known as Bill Evans, was an American jazz pianist, composer, and artist. Born on August 16, 1929 in Plainfield, New Jersey, he became one of the most famous and influential jazz pianists of the 20th century. With his innovative use of impressionist harmony and unique interpretation of traditional jazz repertoire, Evans left a lasting impact on generations of musicians.

Evans' distinct style was characterized by his rhythmically independent and "singing" melodic lines. His contributions to the world of jazz music were unparalleled. Throughout his career, he showcased his immense talent as a composer and performer.

Tragically, Bill Evans passed away on September 15, 1980 in New York City at the age of 51. Despite his untimely death, his legacy lives on through his timeless recordings and continued influence on contemporary keyboardists and jazz saxophonists.

Newest Listed Items

Everybody Digs Bill Evans was a landmark recording for the young pianist and sported a unique album cover, featuring written-out endorsements from Miles Davis, George Shearing, Ahmad Jamal, and Cannonball Adderley. At a time approximate to when Evans was performing with the famous Kind of Blue band of Davis, Adderley, and John Coltrane, and actually departing the band, Evans continued to play the trio music he was ultimately best known for. With the unmatched pair of former Miles Davis drummer Philly Joe Jones and bassist Sam Jones (no relation), Evans was emerging not only as an ultra-sensitive player, but as an interpreter of standards second to none.

The drummer is quite toned down to match the dynamics of the session, while the ever-reliable bassist lays back even more than usual, but at the expense of his soul. Of the covers, the solo "Lucky to Me" and the melancholy "What Is There to Say?" with the trio evoke the cool, smoldering emotionalism Evans was known for. He's even more starkly reserved on his solo version of "Young and Foolish." But Evans also knows how to play vigorous bop, tearing up the complicated "Oleo," and he modestly tackles the Gigi Gryce icon "Minority," though if you listen closely, the takes are slightly imprecise and a bit thin. Evans is hyperactive on a clattery calypso version of "Night and Day," with the melody almost an afterthought, powered by the precise drumming of Philly Joe Jones. Taking "Tenderly" in waltz time, Evans makes this familiar theme inimitably all his own. 

Everybody Digs Bill Evans

Music GB

Discover Everybody Digs Bill Evans by Bill Evans on vinyl and CD formats from Not Now label. A landmark recording showcasing Evans' unique piano style and interpretations of standards.