Newly remastered from original analogue masters. If Springsteen's debut, Greetings From Asbury Park, NJ, revealed just how ambitious a talent he was, it also fell just short of realising those ambitions. No such problem with this, his second album. The Dylan-esque wordplay is there, but with more narrative detail, as on "4th of July, Asbury Park (Sandy)", "Kitty's Back" and "Rosalita", each of which became instant Springsteen classics and were demanded by his concert crowds for years.
But even on this record, the music isn't allowed to take a back seat to the words - the latter two, at least, are full-tilt rock and roll numbers, with abrupt tempo shifts, soaring instrumental parts, and production that's just chaotic enough to make you wonder if the whole thing is going to blow apart and then smile in appreciation when it doesn't.
The Wild, The Innocent, And The E Street Shuffle was the first time Springsteen scaled the heights of rock and roll greatness - but it wouldn't be the last.
The Wild, The Innocent And The E Street Shuffle
£27.99
£159.99
Ultradisc One-step 180g 33pm LP Set Presents 1973 Album In Audiophile Sound1/4" / 15 Ips / DBX Analogue Copy To DSD 256 To Analogue Console To Lathe
£49.99
SACD: Mastered On Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid SACD Plays With Expressive Clarity.
The Wild, The Innocent And The E Street Shuffle
£27.99
£159.99
Ultradisc One-step 180g 33pm LP Set Presents 1973 Album In Audiophile Sound1/4" / 15 Ips / DBX Analogue Copy To DSD 256 To Analogue Console To Lathe
£49.99
SACD: Mastered On Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid SACD Plays With Expressive Clarity.
Newly remastered from original analogue masters. If Springsteen's debut, Greetings From Asbury Park, NJ, revealed just how ambitious a talent he was, it also fell just short of realising those ambitions. No such problem with this, his second album. The Dylan-esque wordplay is there, but with more narrative detail, as on "4th of July, Asbury Park (Sandy)", "Kitty's Back" and "Rosalita", each of which became instant Springsteen classics and were demanded by his concert crowds for years.
But even on this record, the music isn't allowed to take a back seat to the words - the latter two, at least, are full-tilt rock and roll numbers, with abrupt tempo shifts, soaring instrumental parts, and production that's just chaotic enough to make you wonder if the whole thing is going to blow apart and then smile in appreciation when it doesn't.
The Wild, The Innocent, And The E Street Shuffle was the first time Springsteen scaled the heights of rock and roll greatness - but it wouldn't be the last.