Name: Return To Forever
Brand: Chick Corea

Bonus disc

Bonus disc: No

Catalogue number

2727884

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2010-02-01

Signed copies

Signed copies: No

Supplier GB

Proper

Tax rate GB

Standard:20

UPC / Barcode

602527278841

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

8119782

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2019-05-31

42281197826

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Chick Corea

Genre GB

Jazz

Label GB

Chick Corea was an American jazz composer, arranger, keyboardist, percussionist, bandleader and recording artist of southern Italian descent. Born on June 12, 1941 in Chelsea, Boston, Massachusetts, he was a prolific musician who played various genres including Bebop, Post Bop, Free Jazz, Latin Jazz and Crossover. He became known for his contributions to Jazz Rock and Fusion in the 1970s as both a solo artist and member of bands such as Return to Forever and Circle.

In his youth, Chick Corea marched as a lead soprano bugle soloist in a drum and bugle corps called St. Rose Scarlet Lancers of Chelsea. Influenced by bebop music, he started his professional career in the early 60s and recorded his first album in 1966 (not released until 1968). His well-received trio Post Bop album "Now He Sings Now He Sobs" with drummer Roy Haynes and bass player Miroslav Vitous marked the beginning of his groundbreaking musical journey.

Throughout his career, Chick Corea explored various styles of music including Latin American acoustic and electronic music as well as classical influences. He utilized instruments such as piano, electric piano and Minimoog to create innovative fusion sounds. His dedication to touring, recording and collaborating with numerous musicians earned him recognition with 25 Emmys. Tragically passing away from cancer on February

ECM Records, also known as "The Creative Label," is a German independent label that was co-founded by producer Manfred Eicher, Manfred Scheffner, and Karl Egger in Munich (Pasing) in 1969. With the label code LC 2516 / LC 02516, ECM stands for Edition of Contemporary Music and focuses on jazz and Western classical music. They showcase both acoustic and electronic artists who produce eclectic versions of contemporary music.

ECM's extensive catalog features a wide range of genres, from contemporary works by renowned composers like Steve Reich, Arvo Pärt, and Philip Glass to experimental and electronic jazz from artists such as Nils Petter Molvær, Pat Metheny Group, and Jan Garbarek. Over the past 40+ years, ECM has released more than 1500 recordings that have been acclaimed for their exceptional music quality, creative production techniques, and outstanding sound.

Although an independent label, ECM titles are distributed by Universal Music Group (UMG) in the US, Japan, and throughout Europe. However, they have also collaborated with other distributors over the years. Notably during the period when Polydor distributed ECM products in Germany; [l447694] was used for pressing identified by a CP suffix on labels and runouts. Afterward,[l25946] became their primary distributor.

Back In Stock

The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke. It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It's all very warm, light, and airy, like a soft breeze on a tropical beach -- hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock. Corea also bathes the album in an undertone of trippy mysticism, not only in the (admittedly dated) lyrics, but in his cosmic keyboard wanderings, which remain melodic and accessible through most of the record. There's one genuine pop song in the groovy samba "What Game Shall We Play Today," and while "Sometime Ago" has similar elements, it's part of an ambitious side-long medley that features a stream-of-consciousness intro and a jubilant, Spanish/Mexican-style closing section called "La Fiesta," complete with castanets and flamenco modes. The title track is another multi-sectioned work, featuring Corea and Purim in wordless unison on two different, catchy themes, plus breezy work from Farrell and lots of Brazilian-flavored rhythmic interplay. And the dreamy, meditative "Crystal Silence" is an underrated gem waiting to be rediscovered. Certainly, this edition of Return to Forever wasn't inclined toward high-voltage jazz-rock (as the next one was), but this group's two albums still stand as some of the most imaginative and distinctive early fusion recordings.

Return To Forever

Music GB