Name: -io
Brand: Circuit Des Yeux

Bonus disc

Bonus disc: No

Catalogue number

OLE1788LP

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Colour

Black

Colour details

Discogs ID

[' 20685346']

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-10-22

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

191401178815

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

OLE1788CD

{"blocks": [{"data": {"text": "OLE1788CD"}, "type": "paragraph"}]}

191401178822

{"blocks": [{"data": {"text": "191401178822"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Circuit Des Yeux

Genre GB

Alternative / Modern

Label GB

Matador

Indiana native Haley Fohr began her experimental indie folk project Circuit des Yeux in 2007, writing and self-recording disturbing, nightmare-like atonal pieces caked in distortion and tape hiss. Her debut LP, Symphone, was released in a limited edition by De Stijl in 2008, followed in 2009 by the more widely available Sirenum on the same label, as well as a 7" single on Dull Knife Records.
In 2010, Fohr released Ode to Fidelity, a three-song EP that signaled her shift to more song-based material. Her haunting vocals and unsettling lyrics took center stage. The third album Portrait arrived in 2011 with clearer recording quality and a live deconstruction of Bruce Springsteen's "I'm on Fire." After graduating college in 2012, Fohr moved from Bloomington to Chicago where she collaborated with various artists.
In early 2013, Circuit des Yeux released CDY3 showcasing a trio lineup with bassist Greg Simpson and drummer Clarke Joyner. The fourth album Overdue was recorded with Cooper Crain of Cave and Bitchin Bajas. It featured confessional folk songs alongside experimental noise pieces and received critical acclaim. In May of 2015, Thrill Jockey released Circuit des Yeux's lushly orchestrated fifth album In Plain Speech.

U.S. independent label based in NYC; for company roles and copyrights please consider [l390562] for the USA, [l=Matador Records Ltd.] for the UK company division and the generic company profile relating to either legal entities [l=Matador Records (2)] 
[b]Note that while some Matador releases are exclusive to North America or Europe, they use one numbering system for all releases, so it is not necessary to enter them under separate labels.[/b]

The Matador label began in 1989 when [a=Chris Lombardi] dragged the Austrian duo H.P. Zinker into Wharton Tiers’ Fun City studio to record OLE-001, ...and there was light. Run out of Chris’ New York apartment, Lombardi added artists such as the Dustdevils, Railroad Jerk and Superchunk to the initial roster. Joined by longtime Homestead Records manager Gerard Cosloy in 1990, Matador experienced its first taste of crazed media attention & big sales with the North American release of Teenage Fanclub’s debut long-player, A Catholic Education. Over the years, the label has moved from shoebox sized offices to larger and larger complexes, the staff has grown from 2 to 24, and the roster has simply exploded. As well as functioning as the North American home to Pavement, Liz Phair and The Jon Spencer Blues Explosion, Matador has helped artists such as Yo La Tengo, Cat Power, Cornelius, Solex, Pizzicato Five, Helium and the Arsonists reach audiences worldwide.

Matador has also served as the North American licensee for a number of exceptional international acts, including Belle & Sebastian, Mogwai, Boards of Canada, Red Snapper, Arab Strap and others. Since 1996, Matador has maintained separate offices and staff in London. In addition to supervising the promotion, sales and marketing of Matador titles on the continent, Matador Europe has also licensed recordings from some of North America’s most acclaimed new artists, M. Ward, Sleater-Kinney, Modest Mouse, and Superchunk to name a few.

While Matador has often been characterized (not by the label itself) as an underground or "indie" rock label, over the years, the label’s musical direction has grown, to the point where many hip hop, electronic and experimental acts play as prominent a role in the label’s sound & future as any number of singer/songwriters and rock bands. Sometimes all of the above converge.

During the 1990s, Matador entered into partnerships with [l=Atlantic] and [l=Capitol Records]. In 1999, Lombardi & Cosloy purchased back Capitol's 49% share of the label, and in 2002, [l613604] purchased 50% of the legal entities behind the Matador label / imprint [l390562] and [l291335] and took over Matador's worldwide marketing.

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-io is the sixth album by vocalist and composer Haley Fohr, best known as Circuit des Yeux. A celebrated figure in Chicago’s music community, she has released acclaimed albums via De Stijl, Thrill Jockey, and Drag City and toured throughout the world. However, -io is Circuit des Yeux’s most ornate and elaborate work to date – a set of compositions that nest Fohr’s otherworldly four-octave voice amid a 24-piece string, brass, and wind ensemble. The album was put to tape last fall by Cooper Crain at Chicago’s Electrical Audio studio and mixed by Marta Salogni (Bjork, Holly Herndon) with Fohr acting as arranger and producer. Written in the wake of personal loss and recorded in the midst of the pandemic, -io maps a geography of grief – a place where “everything is ending all the time.” While Fohr’s music has never been short on ambition, these songs are striking in their brilliance and strangeness. On -io, Circuit des Yeux has delivered a work that is vivid, immense, and fully illuminated.

Music GB

Discover -io by Circuit Des Yeux. The sixth album by vocalist and composer Haley Fohr, featuring a 24-piece ensemble. Available in LP and CD formats. Label: Matador.