Name: There Existed an Addiction to Blood
Brand: Clipping

Bonus disc

Bonus disc: No

Catalogue number

SP1330

{"blocks": [{"data": {"text": "SP1330"}, "type": "paragraph"}]}

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Housed in Gatefold Sleeve with custom dust sleeves and wraparound obi strip.

Format Music GB

Limited edition

Release date

2019-10-18

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0098787133011

{"blocks": [{"data": {"text": "0098787133011"}, "type": "paragraph"}]}

Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

SPCD1330

{"blocks": [{"data": {"text": "SPCD1330"}, "type": "paragraph"}]}

Download code: No

Digipack with Wraparound Obi Strip.

{"blocks": [{"data": {"text": "Digipack with Wraparound Obi Strip."}, "type": "paragraph"}]}

0098787133028

{"blocks": [{"data": {"text": "0098787133028"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Clipping

Genre GB

Hip Hop

Label GB

Sub Pop

Clipping is an experimental hip-hop group known for their innovative sound and thought-provoking lyrics. Formed in 2009, the trio consists of rapper Daveed Diggs, producers William Hutson and Jonathan Snipes. With a unique blend of industrial noise, glitchy beats, and socially conscious rhymes, Clipping has gained critical acclaim and a dedicated fan base. Their albums tackle themes such as race, identity, and politics with raw intensity and artistic flair. Whether it's through their powerful live performances or boundary-pushing studio recordings, Clipping continues to push the boundaries of what hip-hop can be.

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

Back In Stock

The science-fiction visionary Octavia Butler once declared that “there is nothing new under the sun, but there are new suns.” The aphorism could apply to any art form where the basic contours are fixed, but the appetite for innovation remains infinite. Enter Clipping, flash fiction genre masters in a hip-hop world firmly rooted in memoir. If first person confessionals historically reign, the mid-city Los Angeles trio of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes have spent the last half-decade terraforming their own patch of soil, replete with conceptual labyrinths and industrial chaos. They have conjured a mutant emanation of the future, built at odd angles atop the hallowed foundation of the past.

Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is Clipping’s transmutation of horrorcore, a purposefully absurdist sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap.

The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. The album contains interludes with hissing recordings of demonic invasions, and guest appearances from Griselda Gang’s Benny the Butcher and Hypnotize Minds horror queen La Chat. Other tracks feature contributions from noise music legends The Rita and Pedestrian Deposit. It all ends with Piano Burning, a performance of a piece written by the avant-garde composer Annea Lockwood. Yes, it is the sound of a piano burning.

There Existed an Addiction to Blood fits neatly into the broader scope of the band’s career, which has seen them expand from insular experimentalists into globally recognized artists. Since the release of their first album in 2013, Diggs has won a Tony and a Grammy (both for his acting / rapping work as Thomas Jefferson and Marquis de Lafayette in Hamilton), as well as co-written and starred in 2018’s critically hailed Blindspotting, while Snipes and Hutson have scored numerous films and television shows.