Name: Pin Ups
Brand: David Bowie

Bonus disc

Bonus disc: No

Catalogue number

0825646289424

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2015-02-26

Signed copies

Signed copies: No

Supplier GB

Warner Music Group

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

David Bowie

Genre GB

Classic

Label GB

Parlophone

David Bowie, born on 8 January 1947 in Brixton, London, England, UK and died on 10 January 2016 in Manhattan, New York City, USA at the age of 69. He was a British pop/rock singer, musician, songwriter, and actor. Bowie is widely regarded as one of the most respected contemporary musicians of his time and is considered to be one of the most influential musicians of the 20th century.Bowie's contributions to the music industry have made him a leading figure in popular culture. His innovative style and unique sound have left an indelible mark on generations of artists and fans alike. With his extensive discography spanning various genres and his iconic alter egos such as Ziggy Stardust and The Thin White Duke, Bowie's artistic vision continues to inspire and captivate audiences worldwide.

Multinational label.
Label Code: [b]LC 0299 / LC 00299[/b]
[b]Please note, many Parlophone issues also carry an EMI logo. This is not a label and EMI should not be added as a label, it instead indicates that Parlophone was part of the EMI Group.[/b]

Parlophone is an anglicization of the German [l=Parlophon] label, registered as a trademark in 1902 by Max Straus and Heinrich Zuntz of [b]Salon Kinematograph Co. GmbH[/b], later merged into [l=Carl Lindström A.-G.]. The first Parlophon records are pressed in 1910. 

By 1923, Parlophone proper appears in London administered by English Lindström branch known as [l311921],  Parlophon records were pressed in London and sold locally. By 1926 extended operations extended to press for export in Australia (#cat A) until the australian factory [l=Parlophone Co. Ltd.] was created somewhere the next year. These companies were subsequently taken over by [l97841] in 1927, following its acquisition of [l275192] in 1926, thus becoming a constituent part of [l293204] (EMI) when that company merged with [l253617] in 1931.

The label largely operated as a Jazz and Novelty label until manager, [a=George Martin], signed the [a=The Beatles] in 1962. As a result of its subsequent success and profile, the label was earmarked for phasing out in 1973 in favour of [l=EMI] (the label), however the parlophone imprint continued to be used by registered trademark owner [l=EMI Records Ltd.] and affiliated companies.

In September 2012 following the acquisition of [l1330982]'s US and Asian interests by [l=Universal Music Group], Parlophone and the former EMI Records Ltd. were merged as the [l806790] (PLG Holdco Ltd.) and spun off to be sold. 

They were sold to [l=Warner Music Group] in March 2013.
The Parlophone label is now owned by [l=Parlophone Records Ltd.], the re-named EMI Records Ltd., itself a subsidiary of [l=Warner Music International].

The Beatles were not part of the Parlophone Label Group and their catalogue was acquired by [l=Universal].

[b]This label contains releases on multinational markets. Do NOT create imprints for different countries. Cover that information on new releases with the country field and with notes about the release (releasing company, ℗&© note, mechanical rights etc.).[/b]

180 Gram Vinyl. 'Pin Ups' served as a sort of 'how to' guide to David Bowie's career. This all-covers album shed light on his ability to adopt personas and emulate musical genres with amazing speed and diversity. It also showed that bowie was anticipating a different musical climate for the rest of the decade, signifying a change from what was admired during the 1960s. The psychedelic overtones of Pink Floyd's 'See Emily Play' and the garage rock cynicism of the Easybeats' 'Friday on my Mind' perfectly display Bowie's ear for melody and eye for pop-culture posturing. He even tips a hat to his more established influences. The Kinks' 'Where Have All the Good Times Gone' sparks his interest as a memory-soaked ballad (a Ray Davies speciality), and with the Who's 'Anyway, Anyhow, Anywhere' Bowie admits to not having invented the rock 'n' roll ego. 'Pin Ups' served another suitable purpose for the chameleonic performer, down-playing his other-worldly image by betraying his influences. By presenting Bowie as an actual fan - and not just an image / style manipulator - the album portrayed the singer in a different light, allowing him to loosen up his approach to performing and to step outside the multiple characters he had created for himself.

Pin Ups

Music GB