Name: For Those We Met On the Way
Brand: David Christian and the Pinecone Orchestra

Bonus disc

Bonus disc: No

Catalogue number

TR488

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-11-26

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

Standard:20

UPC / Barcode

4015698574197

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

TR488LP

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Black

4015698247534

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

David Christian and the Pinecone Orchestra

Genre GB

Indie Pop / Shoegaze

Label GB

Tapete

Welcome to Tapete, an independent record label based in Hamburg, Germany. Founded in 2002 by Gunther Buskies and Dirk Darmstaedter, Tapete has become a prominent force in the music industry. With a diverse roster of talented artists and performers, we strive to bring you the best in music across various genres.

At Tapete, we are passionate about supporting emerging talent and providing a platform for them to showcase their artistry. Our dedication to quality and innovation has earned us a reputation as a trusted source for exceptional music.

With our *labelcode* LC 12227, we offer an extensive catalog of releases that span multiple formats. From vinyl records to CDs and digital downloads, we ensure that you can enjoy your favorite music in the format that suits you best.

After 29 years with British indie / garage / beat / punk / psych-pop collective Comet Gain, singer / mastermind and main fireraiser David Christian thought, "Why not do a solo album?" After all, some of his favourite records are also solo records by people from bands; John Cale, Gene Clark, Julian Cope, Stephen Duffy, Mike Nesmith, Curtis Mayfield, Neil Young... under the sun of his new home in the South of France, exchanged for Brexit London, a timeless folkrock album was created with the kind help of numerous friends on numerous instruments. The verve and snottiness of the Comet Gain sound can also be found here, but "For Those We Met On The Way" sounds more dandy, somehow more southern French. If you like listening to "Robespierre's Velvet Basement" by the Jacobites AND the electric songs of Bob Dylan's "Bringing it All Back Home" and Comet Gain... then "For Those We Met On The Way" is perfect for you!

Fleeing screaming from the group gulag after 29 years of maintaining sweet failure at all costs with his group Comet Gain (a mix of post punk, garage punk, northern soul, freakbeat / psych, early creation records, indie pop, folk rock and other such messes all churned together with films, books, left wing politics-all that stuff falling out of a bin onto a pile of records) songwriter and singer an oldest bastard in the gang David Christian (sometimes known as Feck) escaped to the french woods by the ocean when Boris and his rabid disgusting crew weren't looking. After a while of picking up pinecones he decided he simply had to Express his inner soul. “Fuck it, i might as well make a solo record". Some of his favourite records were solo lps from people in bands – John Cale, Gene Clark, Julian Cope, Stephen Duffy, Mike Nesmith, Neil Young, Mark Eitzel, Sandy Denny, Curtis Mayfield, etc – and there were all those great solo solo ones from Jimmy Camel, Bill Fay etc and it seemed like everybody was looking back or inward due to that plague thing, a connection to what you loved or who you missed in order to make sense of the nonsensical world of Brexit and plague and all that shit. The LP was made in the middle of the french countryside in a barn / farm owned by Mike and Allison Targett of Heist fame where along with old comrade and wonderful drummer Cosmic Neman (Zombie/Zombie, Herman Dune) they cut the record while cows grazed with Mike producing and both Targetts adding vocals,pianos etc. Then later, the group of friends known as The Pinecone Orchestra; James Horsey and Alasdair MacLean (The Clientele), Ben Phillipson (18th Day Of May/Trimdon Grange Explosion/Comet Gain), Gerry Love (Teenage Fan Club/Lightships), Anne-Laure Guillain (Comet Gain/Cinema Red And Blue) and Joe-Harvey Whyte (Hanging Stars) coloured everything in with guitars, vocals, bass, pedal steel etc. So David’s rules for the LP were off to a good start. Get some good dudes to play with you, also... it's a solo record so be honest bad or good, don’t listen to any records before and rip anything off (very difficult after years of "ooh-i'll have that riff!").

Part of the weird process of looking back or trying to diary a life full of holes is that it's best managed through friends, places, records. But mainly the people you knew – good or bad – those fleeting best friends forevers whose faces you now struggle to recall, the crushes that crushed you until you wonder 'well i wonder how their life turned out'. Moving country makes you go through boxes and find memorials – letters, photos, all kinds of mementos and some tug at you preciously so the title of the record was in tribute to these half remembered and faded folks - 'the ones that burst into your heart and are then lost forever' but you can navigate your way to who you were or where or what by their psychic presence-maps to a gone you. The plan was to inhabit the songs with these moments, people, places, etc and then banish them sweetly – or as sung in "Goodbye Teenage Blue": "you've got to break the taboo by singing goodbye teenage blue" to exorcise your ghost suitcase weight – so there are songs about the future ("On The Last Day (We Spend Together)"), the present ("In My Hermit Hours", "Dream A Better Me" and the past (most of the others) and "Mum's and Dad's and Other Ghosts" which holds to the past while giving a message to a future.

When a record has just Your name on it you try to make it good. No shadows to hide in, even your mum might hear it. Solo records are (technically) written by songwriters, so might as well try and write some songs. So that's what David tried and he thinks he did ok. There are broken ballads, long winding songs, short pop songs, and things in between. Acoustic guitars, pianos, pedal steels, harmonies, wonderful drumming… There are alcoholic skinheads, forest hermits, californian dudes, holloway sweethearts, bruised mods in the upstairs room, strange boys being hit by a car, painters who can’t paint no more, friends and ghosts and lovers and losers.

For Those We Met On the Way

Music GB