
| Doors | 6:30pm |
| On-stage | 7:30pm |
Proudly partnered with:

---------------------------------------------------------------------------------------
---------------------------------------------------------------------------------------
---------------------------------------------------------------------------------------
6.30pm | Doors open
7.30pm | BLUE BENDY
8.15pm | YEULE
9.00pm | CHARLOTTE SPIRAL
*All stage times are subject to change.
---------------------------------------------------------------------------------------
---------------------------------------------------------------------------------------
---------------------------------------------------------------------------------------
yeule is the manifested reflection of Nat Ćmiel. An ongoing project since 2012, yeule’s music is as ethereal as it dynamic, reflective of her nomadic upbringing. Though she grew up and attended school in Singapore for most of her life, her family travelled often, developing emotional connections with places far from home that left her searching, unmoored, putting forth a creation that is in constant metamorphosis.
---------------------------------------------------------------------------------------
“a lucidly understated ode that encapsulates their dreamy aesthetic perfectly.”
Charlotte Spiral is a collaboration between Amy Spencer and Avi Barath. The pair met at Goldsmiths College in London and point to a wide range of artists as influences, including Rufus Wainwright, Julia Holter, Moses Sumney, Patrick Watson, Susanne Sondfør, and Beach House.
Produced by Charlotte Spiral and Dan Carey (MIA, Kate Tempest, Sia, Bat For Lashes), a collaboration born out of time spent in Dan’s Streatham studio, the vocals on new single ‘Wide Eyed’ are lush and nostalgic, soaring above ethereal piano and polished production.
---------------------------------------------------------------------------------------
Blue Bendy are six former Goldsmiths students who initially bonded over a mutual love of Danish punk. As their tastes have mutated and developed over time, they have left Scandinavian noise behind and now find themselves firmly in the 90s art-pop world inhabited by Stereolab, Broadcast and co. However, those noisy roots have not been forgotten entirely…
Having carefully crafted a reputation as the finest purveyors of art-rock in South London, Blue Bendy finally released their debut digital single on Permanent Creeps in February 2019. ‘Closing Sound’ was met with much excitement and acclaim. Following its release, the band then shared stages with the likes of Squid, Drahla and Scalping.
In summer 2019, they were back in the studio to record ‘Suspension’, a breathless combination of pastoral psychedelia and jaunty post-punk. This became the A-side on their debut 7”, which was released on Too Old For This Records in October 2019. It was backed by the jaunty, irresistibly catchy ‘As Long As I Get My (Hiss)’, which crosses C86 indie-pop with 90s indietronica.
---------------------------------------------------------------------------------------