Name: KEITH
Brand: Kool Keith

Bonus disc

Bonus disc: No

Catalogue number

MELLO127

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2019-07-26

Signed copies

Signed copies: No

Supplier GB

Scorpio

Tax rate GB

Standard:20

UPC / Barcode

843563111338

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Total Cap

Black LP

Artist

Kool Keith

Genre GB

Hip Hop

Label GB

Mello Music

American rapper and founding member of Ultramagnetic MC's. Better known as Kool Keith, he has recorded extensively both as a solo artist and as part of many groups. He has collaborated with notable names in the hip hop scene such as Ice-T (as Analog Brothers), Dan The Automator (as Dr. Octagon), Tim Dog (as Ultra), Kut Masta Kurt (as The Diesel Truckers and Masters Of Illusion) or Godfather Don (as The Cenobites).

Mello Music Group (MMG) is a US hip-hop label that was established in 2007 by Michael Tolle, who serves as the CEO and owner. Since releasing its first album in 2008, MMG has become a prominent force in the music industry. The label is home to an impressive roster of talented artists including Oddisee, Apollo Brown, Quelle Chris, 7evenThirty, Gensu Dean, The Black Opera, Diamond District, yU, Has-Lo, Trek Life, Stik Figa, Georgia Anne Muldrow and Dudley Perkins.

With a commitment to quality and innovation in hip-hop music production and performance, MMG has garnered a loyal fan base worldwide. The label's artists consistently deliver thought-provoking lyrics and captivating beats that push the boundaries of the genre.

Whether you're a long-time fan or new to the world of hip-hop music, Mello Music Group offers an extensive catalog of albums that showcase the diverse talents within their roster. From introspective storytelling to hard-hitting anthems, there's something for everyone on MMG's releases.

Back In Stock

It’s been more than forty years since Kool Herc starting throwing parties in the South Bronx, and so you could forgive the casual fan for thinking that nearly every permutation of hip-hop has already been explored. But KEITH, the new album from the iconic rapper Kool Keith and the master producer Psycho Les argues just the opposite: that what’s absurdly funny can also be sinister and strange, that the form can still be broken in new and radical ways. Keith is, of course, one of the pivotal figures in the history of hip-hop, and has been one of the genre’s most singular writers and original voices. The Bronx native was a founding member of Ultramagnetic MCs, whose debut album, 1988’s Critical Beatdown, served as a blueprint for both internationally famous acts like Public Enemy and for the entire future of underground rap. But Keith’s solo work, which began in earnest in the mid-’90s with Dr. Octagonecologyst (released under a pseudonym, naturally) is even stranger, more experimental, more brilliant. He will enjamb seemingly unrelated ideas and images against one another with a poet’s love for language and a pornographer’s knack for camp. Subsequent records like 1997’s Sex Style, ‘99’s Black Elvis/Lost In Space, and 2000’s Matthew were hailed as instant classics; Keith has spent the last several years crafting expertly written records that are rewardingly bizarre, unlike anything else on the rap landscape - and KEITH is a crown jewel in that excellent late-period run.

Psycho Les is a founding member of the Beatnuts, who were first notable as the only Latino members of the Native Tongues, the collective of groups that pushed hip-hop to its avant edges in the early ‘90s. They were staples throughout that decade, both with their own albums and via the production they did for artists as disparate as Fat Joe and Common –– as well as for their work pioneering the remix. The Beatnuts’ music had in its foreground cramped house parties and reckless debauchery; Les developed the unique ability as a producer to merge that abandon with technically rigorous sample manipulation and unique arrangements.

If you’re worried that two artists who have been working at this for so long would be tempted to rest on their laurels or make music that’s predictable, disabuse yourself of that notion. Keith opens the album with a tangent about Foot Locker –– not about buying shoes, but about lusting after the footwear chain’s employees, with their tight, referee-striped shirts and form-fitting black pants. It only gets stranger from there. His Lamborghinis aren’t just green, they’re pistachio green; his head is perfectly round like Charlie Brown’s; his handkerchief is worth your per diem. And as a vocalist, Keith is still as slippery and innovative as ever: see the way he slides right into an unorthodox flow at the beginning of “Slave Owner,” only to thin out his writing to allow for a string of insults from the titular slave owner.

KEITH is a laser-focused, remarkably vital work from two artists entering the fourth decades of their respective careers. If nothing else, take as an example a couple of the guests who appear here: there’s Jeru the Damaja, who represents the true-school ethos of New York in the early ‘90s, but there’s also Paul Wall –– he rides shotgun on Foot Locker - who broke through more than a decade after Jeru, as the woozy, laconic Houston scene of the mid-2000s briefly stole the national spotlight. Both serve as ideal foils for Keith: they’re somehow tethered to Earth as we understand it, while he’s free to orbit around them, and us, in a path that only he will ever understand.

KEITH

Music GB