Name: Double Negative
Brand: Low

Bonus disc

Bonus disc: No

Catalogue number

SP1250

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Black Vinyl housed in Embossed Jacket with Custom Dust Sleeve and Download.

Format Music GB

Limited edition

Release date

2018-09-14

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

098787125016

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

spcd1250

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Gatefold digipak with embossed cover.

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098787125023

{"blocks": [{"data": {"text": "098787125023"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

 Low

Genre GB

Alternative / Modern

Label GB

Sub Pop

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

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Mr and Mrs Low (aka Alan Sparhawk and Mimi Parker) plus bassist Steve Garrington release their new opus (after 25 years of still finding new things to do/play and be). Double Negative was made with the help of producer B.J. Burton (who’s worked with James Blake and Sylvan Esso)at Bon Iver’s home studio, April Base. An atmospheric click and whirr of looped, distorted cyclic thrums. Desolate landscapes of musical detritus are taken and looped into new languorous glitchy beats and melancholy melodies. The industry of machines is turned into the heartbeat of a new song. The ghosts of a lost fairyland flit behind melodies that build and glow. An ominous drone like an end of the world siren turns to a siren’s song. Vibrant heartfelt vocals - a singer pouring out her everything like lifeblood from her heart. Melancholic and uplifting distorted and cumbersome but also light and elusive.

Since 1993, Alan Sparhawk and Mimi Parker—the married couple whose heaven-and-earth harmonies have always held the band’s center—have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music’s most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low’s career.

To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver’s home studio, April Base. Burton recorded Low’s last album, 2015’s Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies.

This time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, “a hip-hop guy” could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves.

Double Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive “Quorum.” For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?

CD - Gatefold Digipak with Embossed Cover.

LP - Black Vinyl housed in Embossed Jacket with Custom Dust Sleeve and Download.

LP+ - Limited Loser Crystal Clear Coloured Vinyl housed in Embossed Jacket with Custom Dust Sleeve and Download.

Double Negative

Music GB

Buy Low - Double Negative (Vinyl, CD) now from Rough Trade - independent purveyors of great music, since 1976.