Name: ¡Ay!
Brand: Lucrecia Dalt

Bonus disc

Bonus disc: No

Catalogue number

RVNGNL85LP

{"blocks": [{"data": {"text": "RVNGNL85LP"}, "type": "paragraph"}]}

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-10-21

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

747742384875

{"blocks": [{"data": {"text": "747742384875"}, "type": "paragraph"}]}

Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

RVNGNL85LPC1

{"blocks": [{"data": {"text": "RVNGNL85LPC1"}, "type": "paragraph"}]}

Extended format: Yes

747742385049

{"blocks": [{"data": {"text": "747742385049"}, "type": "paragraph"}]}

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / red

Artist

Lucrecia Dalt

Genre GB

Latin / South American 

Label GB

Rvng Intl

María Lucrecia Pérez López, better known by her stage name Lucrecia Dalt, is a Colombian sound artist born in Pereira, Colombia in 1980. Currently living and working in Berlin, Lucrecia has been captivating audiences with her unique blend of experimental music and sonic landscapes. With a career spanning over a decade, she has gained recognition for her thought-provoking compositions and mesmerizing performances.

Before 2010, Lucrecia was known simply as Lucrecia. However, she rebranded herself as Lucrecia Dalt to further establish her artistic identity. Her evolution as an artist can be seen through the exploration of various genres such as ambient, electronic, and avant-garde music.

Inspired by artists like Sarah Davachi, Christina Vantzou, and Valentina Magaletti among others; Lucrecia's music pushes boundaries and challenges traditional notions of sound. Her compositions are characterized by intricate layering of textures and haunting melodies that transport listeners into otherworldly realms.

RVNG Intl. is an independent record label based in Brooklyn, New York. Founded in 2003 by [founder's name], the label has gained recognition for its unique and diverse roster of artists. In January 2014, RVNG Intl. was selected as Resident Advisor's label of the month, solidifying its reputation as a leading force in the music industry. Additionally, Tiny Mix Tapes named RVNG Intl. among their favorite labels of 2015.
With a commitment to pushing boundaries and showcasing innovative sounds, RVNG Intl. has become known for releasing groundbreaking music across various genres including electronic, experimental, and ambient. The label prides itself on fostering creativity and supporting emerging artists who challenge conventional norms.
RVNG Intl.'s catalog features an impressive array of critically acclaimed releases that have garnered attention from both fans and critics alike. With a focus on quality over quantity, each release is carefully curated to offer listeners a truly immersive musical experience.

Back In Stock

Lucrecia Dalt channels innate sensory echoes of growing up in Colombia on her new album ¡Ay!, where traditional instrumentation encounters adventurous impulse and sci-fi meditations on atemporality in an exclamation of liminal delight.

Dalt’s introspective approach to composition, last surfaced on her entrancing 2020 album No era Sólida, refracts across ¡Ay! in a subconscious spectrum of the music genres she absorbed as a child. Treasured sounds and syncopations of bolero, mambo, salsa, and merengue rooted in Dalt’s early surroundings awaken on ¡Ay! and give glow to the album’s contours. The intuitive melodic structures of this music, processed by memory and modular synths, led Dalt to a mirage of her creative origins and the album she has always wanted to make.

¡Ay! is a tincture of rich acoustic textures filtered through the warmth of Dalt’s signature machinic distortion, diffused of easily-defined edges as previously explored on No era sólida and her 2018 album Anticlines. Here, vivid incantations of upright bass, wind ensembles and brass form shimmers of harmonic motif, distilled across radiant rhythms. Dalt worked closely with friend and collaborator Alex Lázaro to cultivate new shapes and colors for slowed down tumbaos and bolero percussion patterns. Together they deconstructed the traditional drum kit into serpentine expansions of congas, bongos, temple blocks and timbales, all of which they tuned to dance among Lucrecia’s lucid vocal processions.

Into this hallucinatory crossing of time and space, Dalt projects a sci-fi mythology rendered through theoretical exchanges with philosopher Miguel Prado. Their mutual interest in consciousness and atemporality summoned the tale of a metaphysical odyssey, cast by Dalt through silken lyrics in her native Spanish tongue. The lush musical world of ¡Ay! offers a soft but obscure landing for an alien entity called Preta, who has gathered a body in the hydrosphere from evaporated dead skin. We follow her first experiences of containment and composure as she navigates our geology and earthly markers of love and time, in contrast with her state as a timeless entity.

Through Dalt’s soaring vocals, the intimate monologues of this ethereal being oscillate with the album’s vibrant instrumental arrangements. ¡Ay! stages a rare encounter between tropical rhythms and sci-fi storytelling, where Dalt devises her amorphous character to explore love without the expected cliches of romantic genres. Dalt brings lightness and humor to the arc of this melodramatic tale, once again shedding the restraints of convention to break boundaries into abstract, fragmentary relics.

¡Ay! is an interjection through which Dalt enters a new dimension in her work – one which connects her legacy of electronic revelations with the moment she reaches a panoramic view of her musical source. In sound and spirit, ¡Ay! is a heliacal exploration of native place and environmental tuning, where Dalt reverses the spell of temporal containment. Through the spiraling tendencies of time and topography, Dalt has arrived where she began.