Album artwork for Mosese by Lumingu Puati (Zorro)

In 1979 the late Congolese musician Lumingu Zorro, protégé of Kinshasa’s legendary 60s band leader Dr Nico, recorded Mosese, his only pre-2000 solo album, for the Tabansi label - and this is it. Champeta Storm Warning! The first-ever reissue of one of West Africa’s best-kept rumba-soukous secrets- as well as being one of the most in-demand titles on Colombia’s booming Champeta sound system scene, where a rare record is protected as fiercely as on the Northern Soul or Jamaican sound system scenes, the label scratched off, the record hidden from view when not on the turntable. Possibly one of the strongest and most consistent Congo dancefloor albums ever recorded perfectly balanced between voices, horns, guitars and percussion. Which is why original copies of this all-time rumba rarity almost never reach the open market, being traded between Colombia’s champeta picoteros (sound system selectors) instead. In Kinshasa they say ‘Miziki ezelaki eleng ndeko’- ‘Sweet music, brother!’. Roger that.

Lumingu Puati (Zorro)

Mosese

BBE
Album artwork for Mosese by Lumingu Puati (Zorro)
LP

£24.99

Black
Released 11/10/2019Catalogue Number

BBE546ALP

Learn more
Album artwork for Mosese by Lumingu Puati (Zorro)
CD

£14.99

Released 11/10/2019Catalogue Number

BBE546ACD

Learn more
Lumingu Puati (Zorro)

Mosese

BBE
Album artwork for Mosese by Lumingu Puati (Zorro)
LP

£24.99

Black
Released 11/10/2019Catalogue Number

BBE546ALP

Learn more
Album artwork for Mosese by Lumingu Puati (Zorro)
CD

£14.99

Released 11/10/2019Catalogue Number

BBE546ACD

Learn more

In 1979 the late Congolese musician Lumingu Zorro, protégé of Kinshasa’s legendary 60s band leader Dr Nico, recorded Mosese, his only pre-2000 solo album, for the Tabansi label - and this is it. Champeta Storm Warning! The first-ever reissue of one of West Africa’s best-kept rumba-soukous secrets- as well as being one of the most in-demand titles on Colombia’s booming Champeta sound system scene, where a rare record is protected as fiercely as on the Northern Soul or Jamaican sound system scenes, the label scratched off, the record hidden from view when not on the turntable. Possibly one of the strongest and most consistent Congo dancefloor albums ever recorded perfectly balanced between voices, horns, guitars and percussion. Which is why original copies of this all-time rumba rarity almost never reach the open market, being traded between Colombia’s champeta picoteros (sound system selectors) instead. In Kinshasa they say ‘Miziki ezelaki eleng ndeko’- ‘Sweet music, brother!’. Roger that.