Name: Metz
Brand: Metz

Bonus disc

Bonus disc: No

Catalogue number

spcd1015

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Sub Pop Label of the Month - September 2016 - Free 12" Sampler with purchase while stocks last

Format Music GB

Limited edition

Release date

2012-10-15

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Metz

Genre GB

Alternative / Modern

Label GB

Sub Pop

METZ is a noise rock band from Canada. Formed in Ottawa, Ontario, in 2007 by guitarist/vocalist Alex Edkins and drummer Hayden Menzies, two longtime friends. After a year of working on material, Edkins and Menzies moved to Toronto and expanded to a trio with the addition of bassist Chris Slorach.

The lineup consists of Alex Edkins on guitars and vocals since 2007, Hayden Menzies on drums since 2007, and Chris Slorach on bass since 2008.

Influenced by noise rock pioneers like The Jesus Lizard and Drive Like Jehu, METZ has developed their own unique sound characterized by raw energy and intense performances. With their relentless live shows and critically acclaimed albums, they have gained a dedicated following worldwide.

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

Recalling the early days of the Seattle label when grunge was thunderous and menacing, this Canadian group's debut is extra heavy. Recorded over the course of a week by Graham Walsh (Holy Fuck) and Alexandre Bonenfant in an old barn, METZ's self-titled album revisits the gut-thumping sludge of early Melvins and the abrasive scrawl of Jesus Lizard. Alex Edkins, Hayden Menzies, and Chris Slorach bash on their respective instruments, taking atonal to the extreme point of sounding like a guitar string being dragged down a chalkboard. Never plodding, only one song breaks the four minute mark, and most are around the conventional punk length of two or three minutes. Because of the heavy distortion, it would be easy to confuse METZ for a metal band, in the way that you could with Pissed Jeans or Slug Guts, but really, the Toronto trio is just a ball of heavy genres, lumping together noise rock, post-punk, hardcore, no wave, or any style that might punish a pair of eardrums. 

Music GB