Name: So It Is
Brand: Preservation Hall Jazz Band

Bonus disc

Bonus disc: No

Catalogue number

SPCD1263

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2019-06-28

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

098787126327

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

SP1263

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Black

Download code: Yes

2019-07-12

098787126310

{"blocks": [{"data": {"text": "098787126310"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Preservation Hall Jazz Band

Genre GB

Jazz

Label GB

Sub Pop

The Preservation Hall Jazz Band is a renowned musical group that takes its name from the historic music venue, Preservation Hall, located in the heart of New Orleans' French Quarter. Founded in 1961 by Allan and Sandra Jaffe, the band has dedicated itself to preserving and promoting the art form of New Orleans Jazz.

With a mission to nurture and perpetuate this unique genre, the band has traveled across the globe, captivating audiences with their exceptional talent and infectious energy. Led by Creative Director Ben Jaffe on tuba, they bring together a diverse group of musicians including Mark Braud on trumpet and vocals, Charlie Gabriel on clarinet and vocals, Freddie Lonzo on trombone, Rickie Monie on piano, Clint Maedgen on tenor saxophone and vocals, Ronell Johnson on tuba, and Joe Lastie Jr. on drums.

Other talented artists occasionally join them onstage or in recordings such as Frank Demond on trombone, Shannon Powell on percussion, Leroy Jones on trumpet,
Carl LeBlanc on banjo,
Darryl Adams
and Elliot "Stackman" Callier
on saxophone,
and David Silverman also playing tuba.

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. 

PHJB marches that tradition forward once again on So It Is, the septet’s second release featuring all-new original music. The album redefines what New Orleans music means in 2017 by tapping into a sonic continuum that stretches back to the city’s Afro-Cuban roots, through its common ancestry with the Afrobeat of Fela Kuti and the Fire Music of Pharoah Sanders and John Coltrane, and forward to cutting-edge artists with whom the PHJB have shared festival stages from Coachella to Newport, including legends like Stevie Wonder, Elvis Costello and the Grateful Dead and modern giants like My Morning Jacket, Arcade Fire and the Black Keys. 

The band began charting a new path with the release of That’s It!, their first album of original material, in 2013. So It Is continues and significantly expands on that expedition. The music on So It Is, penned largely by Jaffe and 84 year-old saxophonist Charlie Gabriel in collaboration with the entire PHJB, stirs together that variety of influences like classic New Orleans cuisine. Longtime members Jaffe, Gabriel, Clint Maedgen and Ronell Johnson have been joined over the past 18 months by Walter Harris, Branden Lewis and Kyle Roussel, and the new blood has hastened the journey into new musical territory. The album’s seven new pieces of buoyant, window-rattling funk find common ancestry with the Afro-Cuban sounds that the band heard in the streets of Havana (witness the NOLA-meets-Cuba bounce of La Malanga), Fela Kuti’s Nigerian funk and the entrancing melodies of Ethiopian jazz (most evident on the sinuous Innocence), the passion of envelope-pushing ‘60s jazz and soul pioneers, and the intense grooves of their modern Coachella counterparts – then filters them all through a Crescent City lens to emerge with something that compels the listener to move.

So It Is

Music GB