Name: That's It!
Brand: Preservation Hall Jazz Band

Bonus disc

Bonus disc: No

Catalogue number

SP1264

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2019-07-12

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

098787126419

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

SPCD1264

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Download code: No

2019-06-28

098787126426

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Preservation Hall Jazz Band

Genre GB

Jazz

Label GB

Sub Pop

The Preservation Hall Jazz Band is a renowned musical group that takes its name from the historic music venue, Preservation Hall, located in the heart of New Orleans' French Quarter. Founded in 1961 by Allan and Sandra Jaffe, the band has dedicated itself to preserving and promoting the art form of New Orleans Jazz.

With a mission to nurture and perpetuate this unique genre, the band has traveled across the globe, captivating audiences with their exceptional talent and infectious energy. Led by Creative Director Ben Jaffe on tuba, they bring together a diverse group of musicians including Mark Braud on trumpet and vocals, Charlie Gabriel on clarinet and vocals, Freddie Lonzo on trombone, Rickie Monie on piano, Clint Maedgen on tenor saxophone and vocals, Ronell Johnson on tuba, and Joe Lastie Jr. on drums.

Other talented artists occasionally join them onstage or in recordings such as Frank Demond on trombone, Shannon Powell on percussion, Leroy Jones on trumpet,
Carl LeBlanc on banjo,
Darryl Adams
and Elliot "Stackman" Callier
on saxophone,
and David Silverman also playing tuba.

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

Back In Stock

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history.

Preservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?”

So It Is (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs andSantigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history.

That's It!

Music GB