Name: 1982
Brand: A Certain Ratio

Bonus disc

Bonus disc: No

Catalogue number

CDSTUMM480

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Includes a 10 Page Concertina Booklet

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Format Music GB

Limited edition

Release date

2023-03-31

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

LSTUMM480

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Grey

Smokey Marbled Vinyl.

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[r26602412]

Download code: Yes

Extended format: Yes

Metallic Ink Printed Sleeve

{"blocks": [{"data": {"text": "Metallic Ink Printed Sleeve"}, "type": "paragraph"}]}

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / grey

STUMM480

{"blocks": [{"data": {"text": "STUMM480"}, "type": "paragraph"}]}

Orange

5400863083656

{"blocks": [{"data": {"text": "5400863083656"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / orange

Artist

A Certain Ratio

Genre GB

New Wave / Post Punk

Label GB

Mute

British post punk & indie funk band formed in 1977 near Manchester. A Certain Ratio took their name from the lyrics of Brian Eno's song The True Wheel (from his album Taking Tiger Mountain (By Strategy) (1974). Their first records were released on Factory Records. Over the years there have been changes in line-up and periods of inactivity.
A Certain Ratio is a British post punk and indie funk band that was formed in 1977 near Manchester. Inspired by Brian Eno's song "The True Wheel," they adopted their unique name. Initially signed to Factory Records, they released their first records through this label. Throughout their career, the band has experienced lineup changes and periods of inactivity.
With a blend of post punk and indie funk influences, A Certain Ratio has left an indelible mark on the music scene since their formation over four decades ago. Hailing from Manchester, England, the band derived its name from a lyric found within Brian Eno's iconic track "The True Wheel." Early on, they established themselves as part of Factory Records' roster before embarking on a journey marked by shifts in personnel and intermittent hiatuses.

Please note, some Mute issues also carry an EMI logo. This is not a label and EMI should not be added as a label, it instead indicates that Mute was part of the EMI Group.

Founded in 1978 by [a=Daniel Miller], Mute (also known as [l36339]) releases various forms of music, with an emphasis on electronic and experimental pop. In May 2002 the label was acquired by the [l=EMI Group]. In 2010 Miller did an agreement with EMI to handle Mute as an independent label again, licensing the trademark from EMI via his company [l=Mute Artists Ltd.], but EMI kept the rights over Mute's back catalogue. After the EMI Group was dissolved, in 2012 [l206061] acquired [l636]'s back catalogue.

Branch offices exist in Germany ([l168349]) and in North America ([l36296]). 

Mute has spawned many regional and special-interest sublabels, some of which are still active. One offshoot, [l=Parallel Series], even became independent of [l636] Mute also operates Mute Bank Mail Order, which sells the label's merchandise directly to consumers. Mute Bank published two issues of [i]Mute Statement[/i], a softcover book that details the entire discography of the label and includes band profiles and photos of release artwork.

Another label strongly associated with Mute is [l=Toast Hawaii], run by [a=Depeche Mode]'s [a=Andrew Fletcher].

Label code: [b]LC 05834[/b] / [b]LC 5834[/b]

‘[b]P[/b]’, included to the catalog numbers,
generally stand for promo copies.
‘[b]L[/b]’, included to the catalog numbers,
generally stand for limited editions.

Back In Stock

A Certain Ratio’s greatest strength has always been their unpredictability. They’ve always moved with gleeful disregard for the boundaries of style and genre, their eye fixed firmly on constant progression. It’s an ethos that’s open-minded over all else, and that’s seen them take everything from experimental electronica to vintage funk, filtered through their own Mancunian lens.

And their latest studio album 1982 is no different in its unpredictable multidimensional nature. It shoots off in every direction, whether via searing Afrobeat, mind- melting jazz breakdowns or moody electronic experiments all with pop hooks and irresistible dance rhythms.

It might be called 1982, but it’s no nostalgia trip, fearlessly facing up to the future and running at it with full speed.

The album follows ACR Loco and EP:ACR in what is turning out to be the band’s most creative period, unmistakably ACR and unmistakably like nothing else.