Name: Stranger On The Sofa
Brand: Barry Adamson

Bonus disc

Bonus disc: No

Catalogue number

BARRY1

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-09-23

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

5400863069483

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Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / red

BARRY1CD

{"blocks": [{"data": {"text": "BARRY1CD"}, "type": "paragraph"}]}

2022-09-30

5400863069490

{"blocks": [{"data": {"text": "5400863069490"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Barry Adamson

Genre GB

Alternative / Modern

Label GB

Mute

Barry Adamson, born on 11 June 1958 in Moss Side, Manchester, is a renowned artist and musician. He started his career as the bass player for the post-punk band *Magazine* from 1978 to 1982. Later, he became a founding member of *Nick Cave's Bad Seeds* in 1984. Since then, Barry Adamson has established himself as a solo artist with the release of his debut album "Moss Side Story" in 1989.

With an illustrious career spanning decades, Barry Adamson has carved out his own unique path in the music industry. His style and sound have influenced many artists such as *Mick Harvey*, *Angelo Badalamenti*, and *David Lynch*. Drawing inspiration from various genres including post-punk and experimental music, Adamson's work resonates with fans of bands like *Einstürzende Neubauten*, *Red Snapper*, and *The Young Gods*.

Barry Adamson's contributions to music extend beyond his solo career. His collaborations with other notable musicians such as Nick Cave's project *Grinderman* and his involvement with bands like Magazine demonstrate his versatility and talent. Fans of artists like *Tindersticks*, *Scott Walker*, and even iconic figures like Julian Cope will find themselves drawn to Barry Adamson's captivating compositions.

Please note, some Mute issues also carry an EMI logo. This is not a label and EMI should not be added as a label, it instead indicates that Mute was part of the EMI Group.

Founded in 1978 by [a=Daniel Miller], Mute (also known as [l36339]) releases various forms of music, with an emphasis on electronic and experimental pop. In May 2002 the label was acquired by the [l=EMI Group]. In 2010 Miller did an agreement with EMI to handle Mute as an independent label again, licensing the trademark from EMI via his company [l=Mute Artists Ltd.], but EMI kept the rights over Mute's back catalogue. After the EMI Group was dissolved, in 2012 [l206061] acquired [l636]'s back catalogue.

Branch offices exist in Germany ([l168349]) and in North America ([l36296]). 

Mute has spawned many regional and special-interest sublabels, some of which are still active. One offshoot, [l=Parallel Series], even became independent of [l636] Mute also operates Mute Bank Mail Order, which sells the label's merchandise directly to consumers. Mute Bank published two issues of [i]Mute Statement[/i], a softcover book that details the entire discography of the label and includes band profiles and photos of release artwork.

Another label strongly associated with Mute is [l=Toast Hawaii], run by [a=Depeche Mode]'s [a=Andrew Fletcher].

Label code: [b]LC 05834[/b] / [b]LC 5834[/b]

‘[b]P[/b]’, included to the catalog numbers,
generally stand for promo copies.
‘[b]L[/b]’, included to the catalog numbers,
generally stand for limited editions.

Originally released in the mid-2000s, Stranger On The Sofa is an album tied together by its mysterious cinematic composure. Each track is used to demonstrate the breadth of musicianship and re-presentation of countless timeless genres, moving in between electronica and jazz with shadowy ambience scattered throughout. Nick Plytas and Adrian Owusu provided their expertise on the organ and slide guitar, with Barry playing almost every other instrument. Composing, performing, recording and producing Stranger On The Sofa undoubtedly makes it an album that represents Adamson fully embracing the DIY aesthetic from where he began.

Stranger On The Sofa

Music GB