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Album artwork for Mysterium II by Celestial Season

After taking some 20 years off, Dutch gothic doom‐death act Celestial Season roared back in 2020 with a startingly ambitious comeback album called The Secret Teachings, then followed up in April of this year with Mysterium I. Now just a scant 7 months later they’re back with the second part of a planned trilogy.

For those unfamiliar with Celestial Season’s sound, they’re in the same space as classic My Dying Bride and early Anathema, with slow‐moving, melancholic doom compositions infused with weeping string sections and forlorn piano lines. Since their comeback the band has renewed their 90s gothic doom sound with good results and they know how to cast a pall over a cheery evening. While Mysterium I was a good album full of bleak despair, it suffered from a feeling of sameness and lacked a heavy punch, with things becoming a wash of restrained sadboi gray. Mysterium II picks up where I left off stylistically, but can it find a way to lurch out of the ether and throttle your ennui more forcefully? Let’s hope!

Celestial Season

Mysterium II

Burning World Records
Album artwork for Album artwork for Mysterium II by Celestial Season by Mysterium II - Celestial Season
Album artwork for Mysterium II by Celestial Season
CD

£13.99

Released 03/02/2023Catalogue Number

BWR075CD

Celestial Season

Mysterium II

Burning World Records
Album artwork for Album artwork for Mysterium II by Celestial Season by Mysterium II - Celestial Season
Album artwork for Mysterium II by Celestial Season
CD

£13.99

Released 03/02/2023Catalogue Number

BWR075CD

After taking some 20 years off, Dutch gothic doom‐death act Celestial Season roared back in 2020 with a startingly ambitious comeback album called The Secret Teachings, then followed up in April of this year with Mysterium I. Now just a scant 7 months later they’re back with the second part of a planned trilogy.

For those unfamiliar with Celestial Season’s sound, they’re in the same space as classic My Dying Bride and early Anathema, with slow‐moving, melancholic doom compositions infused with weeping string sections and forlorn piano lines. Since their comeback the band has renewed their 90s gothic doom sound with good results and they know how to cast a pall over a cheery evening. While Mysterium I was a good album full of bleak despair, it suffered from a feeling of sameness and lacked a heavy punch, with things becoming a wash of restrained sadboi gray. Mysterium II picks up where I left off stylistically, but can it find a way to lurch out of the ether and throttle your ennui more forcefully? Let’s hope!