Name: Why Not Now
Brand: Cindy

Bonus disc

Bonus disc: No

Catalogue number

TLV163LP

Colour

White

Colour details

Cream

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Limited Copies with Signed Postcard.

Format Music GB

Limited edition

Release date

2023-04-14

Signed copies

Signed copies: Yes

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

5055869549653

Total Cap

White LP | Signed Copy

TLV163CD

Signed copies: No

5055869549660

Artist

Cindy

Genre GB

Indie Pop / Shoegaze

Label GB

Tough Love

Singer/songwriter and backup vocalist, Cindy, was born in Englewood, New Jersey. She began singing at a young age and found inspiration from her cousins, the Mizell Brothers, and Cissy Houston. Cindy's career took off when she joined the church choir at First Baptist Church in Englewood and later became a touring singer at just 17 years old. She has collaborated with renowned artists such as Billy Ocean, Chaka Khan, Mariah Carey, Barbra Streisand, Whitney Houston, Luther Vandross, The Rolling Stones, Steely Dan, Dave Matthews Band and Alicia Keys. Cindy's talent extends beyond vocals as she has also written music for Aretha Franklin.

In 1982, Cindy gained recognition for her vocals on the Lemelle single "You Got Something Special". A year later in 1983, she released her album "Pump the Nation" with her band Attitude. Her solo single "This Could be the Night" followed in 1984.

Cindy's impressive career includes touring with The E-Street Band as a member of The Sessions Band and returning to tour with them during the Working on a Dream Tour in 2009 until the High Hopes Tour in 2014. She contributed background vocals to songs like "Shackled and Drawn" from Bruce Springsteen's Wrecking Ball album and also sang on his High Hopes album. In addition to her collaborations with Spring

Tough Love is a record label based in London, UK. Established in 2005, the label has become a prominent force in the music industry, representing a diverse range of talented artists and releasing groundbreaking music across various genres.
With an unwavering commitment to quality and innovation, Tough Love has earned a reputation for discovering and nurturing emerging talent. The label's extensive catalog showcases an eclectic mix of electronic, house, techno, and alternative sounds that captivate listeners worldwide.
Driven by a passion for music and an entrepreneurial spirit, Tough Love continues to push boundaries and challenge conventions. With their finger on the pulse of contemporary trends and an ear for timeless melodies, they are at the forefront of shaping the future of music.

Back In Stock

“Everyone’s hoping that nobody sees/all our little efforts at dignity”

This last line of the title track from Cindy’s fourth LP Why Not Now? works as a slogan for Karina Gill's evolving musical vision. Her music is simple out of necessity and introverted in delivery, but the songs contain vivid worlds and are quietly ambitious. With this latest batch, Gill pulled the process of making Cindy music even more inward. “Some of these songs were first recorded as demos alone in my basement. I think that process set the tone for the record…Maybe it set up a kind of starkness,” she says.

Moving on from the fixed quartet that performed the first three albums, Gill worked alongside original keyboardist Aaron Diko to develop the songs and they enlisted players from the ever-blossoming SF pop scene to realise her minimalist vision -- members of Flowertown, Telephone Numbers, April Magazine, Famous Mammals, and Sad Eyed Beatniks to name a few. The collective sounds fill out the record perfectly with John Cale-esque viola on ‘August’, lo-fi fairground organs, and a tasteful full-band sound that crops up throughout. ‘A Trumpet on a Hillside’ is the most triumphant Cindy has ever sounded, all ascending chords and a wedding march melody tumbling out of an old synth. Still, some of the best moments are Gill alone, as on ‘Playboy’, just naked guitar and voice, and when the forlorn whistling solo kicks in, it feels like the loneliest star is imploding in a distant galaxy.

While the dream-pop tag is probably still relevant, this isn’t algorithm-fed genre ambience. Gill’s vocal / lyrical presence can be as gently momentous as Leonard Cohen or as intellectually potent as any ’79-’80 Rough Trade post-punk. “In writing a song”, Gill says, ”all the disparate parts of being me momentarily correspond, like car alarms and party music momentarily matching beats.” Cindy’s Why Not Now? is that muffled street symphony inside a passing daydream.

For fans of&nbsp;Sarah Records, Galaxie 500, Algebra Suicide, Mazzy Star, early Low.

Why Not Now  

Music GB