Name: Die Peitsche des Lebens
Brand: Der Plan

Bonus disc

Bonus disc: No

Catalogue number

BB361LP

{"blocks": [{"data": {"text": "BB361LP"}, "type": "paragraph"}]}

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-11-20

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

BB361

{"blocks": [{"data": {"text": "BB361"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Der Plan

Genre GB

Electronic

Label GB

Bureau B

Bureau B is an independent record label, music publisher, and booking agency based in Hamburg, Germany. Founded in 2005 by Gunther Buskies as a sister label to Tapete Records, Bureau B specializes in releasing a diverse range of electronic and avant-garde music. With a focus on reissues and new productions, the label has built an extensive catalogue that includes iconic albums from the Krautrock genre of the 1970s and early 1980s. They also release recordings by influential artists such as Die Wilde Jagd, Kreidler, Toulouse Low Trax, and more.

Known for their commitment to preserving classic electronic music, Bureau B has been rereleasing albums from renowned artists like Cluster, Faust, Moebius, Roedelius, Plank, Schickert Schnitzler Tietchens Tyndall. In addition to these reissues, they also release works by similar artists including Blenner Heldon Pinhas Rev or NDW Plan Pyrolator.

With their impressive catalogue and dedication to promoting innovative music across various genres within the electronic spectrum - from pop to avant-garde - Bureau B continues to be a prominent force in the global music industry. Their contributions have solidified them as an authoritative figure in the world of independent labels.

Der Plan is a German music group that was founded in 1979 by Frank Fenstermacher, Moritz R, Robert Görl, and Chrislo Haas. After their first release, Görl and Haas left the group and were replaced by Kurt Dahlke. This trio remained constant until the band disbanded in 1993.
In 2004, Moritz R reformed Der Plan with new members Achim Treu and J.J. Jones. The band reunited again in January 2014 for two short sets at Andreas Dorau's 50th birthday parties in Hamburg and Berlin, featuring Frank Fenstermacher, Moritz R, and Kurt Dahlke.
In May 2017, Der Plan released a new single titled "Lass die Katze stehn" followed by the album "Unkapitulierbar" in June of the same year.

The final instalment (for now) in the series of classic Der Plan album reissues. That’s Frank, Kurt and Moritz right there on the cover, inside Harry Rosenberg’s Hamburger Hafen Basar – the Plan’s own version of the Style Council’s Favourite Shop. You may not find the cool mods attire that graced the Weller &amp; Talbot emporium, but Harry’s was a treasure trove of exotica: fetishes, amulets, masks, handicrafts from the South Seas, even shrunken heads. The kind of things seafarers brought back with them from distant voyages. It would cost you 2 Deutschmarks to see the miniature skulls of the unfortunates. Harry himself had a long, white bushy beard, proper sea dog material. The basis of the harbour bazar’s collection can be traced back to the eccentric Cap’n Haase, selfproclaimed “professor of undiscovered science”, who died in 1934. 

Not a bad title for the next Plan album or box: these Professors of Undiscovered Science have forever been on a musical mission to seek out and shine a light on undiscovered phenomena. It is no surprise that this perfectly chosen photograph reminds us of a certain Dr Henry Walton Jones Jr. Moritz R, a keen collectors of artefacts from the Makonde province of Mozambique, was afrequent visitor to the bazar, whilst Pyrolator was particularly in awe of the Africa room: “Voodoo dolls hanging from the ceiling, needles sticking out of them, flecked with blood. Scary stuff. Bundles of seedy St.Pauli-Nachrichten papers and other porn magazines on the floor. When I asked Harry about this bizarre combination of wares, his answer was short and to the point: “... it banishes the spells.” 

Why are there so many cigars on the table and what about the song ElCigarro? Moritz R looks back: “That’s how we rolled in those days. You could put it down to juvenile obsession, smoking cigars, drinking whisky, snorting coke ... that’s just how it was, partying hard.” Eleven years had passed since the release of Geri Reig, their debut album. Tiki and electronica, noise and schlager, psychedelia and industrial, Kurt Martin and jerry-rigging, Cargo Cult and Ata Tak, Wuppertal and Düsseldorf, Hans-Albers-Platz and West Berlin, Emulator I and Emulator II, old pizzas and new masks, making the most out of the least and living in the gallery, abstraction and pop, Japan and Japlan. A lot going on in those eleven years! Good times ... I had a ball. Beautiful.

Die Peitsche des Lebens

Music GB