Name: Communion
Brand: Grave Lines

Bonus disc

Bonus disc: No

Catalogue number

NHSLP035X

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Colour

White

Colour details

Black & White Smoke Vinyl

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Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-08-05

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

5055869548519

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / white

NHSCD035

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5055869548526

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Grave Lines

Genre GB

Metal

Label GB

New Heavy Sounds

New Heavy Sounds is a music label specializing in stoner rock, doom metal, and sludge metal genres. With a passion for heavy and powerful sounds, we strive to bring the best of these genres to music lovers around the world.

Our label represents a diverse roster of talented artists who push the boundaries of *stoner rock*, *doom metal*, and *sludge metal*. From bone-crushing riffs to hypnotic grooves, our artists create music that resonates with fans seeking an intense sonic experience.

At New Heavy Sounds, we are committed to supporting emerging talent as well as established acts within these genres. We work closely with our artists to ensure their creative vision is fully realized and their music reaches its intended audience. Whether you're a die-hard fan or new to this style of music, our label offers an array of releases that will satisfy your cravings for heavy, raw energy.

Two albums in and London’s Grave Lines, purveyors of ‘heavy gloom’ have already carved a unique niche in the myriad spheres of heavy music. Their first album ‘Welcome To Nothing’ set the tone for their distinct take on doom metal, which was broadened even further with album two ‘Fed Into The Nihilist Engine’. An epic feast of hard ‘n’ heavy riffs coupled with brooding sadness interspersed with thoughtful transcendent moments of introspection. 

Never a band to rely solely on trotting out those ‘doom metal’ tropes, the band began to weave in gothic and experimental elements into their music, to delve deeper into the dark shadows of the psyche. Now with their third album Communion Grave Lines continue their exploration into the ugliness of the human condition, at the same time becoming a band that truly defies any pigeonhole. Continuing to hone and evolve their collective vision and aided by the masterful production of Andy Hawkins at The Nave Studios, Communion sees Grave Lines creep further into the various corners of their sound.

In a nutshell Communion is a violent descent of bile-soaked intensity spiralling between filth laden swagger, and fragile mournful lament. The album delves into the internal aloneness of existence and the failings of the human connection. Owing as much to Bauhaus and Killing Joke as it does to Black Sabbath or Neurosis, there are moments of gut wrenching doomed up heaviness and bellowing noise rock, contrasting with ambient gothic passages and a thoughtful melancholy, to a create a powerful new chapter in their ceaseless journey through the gloom. The seven tracks act as distinctly separate representations of the album, each individually mirroring the remoteness of human consciousness. Opening track 'Gordian' doesn't waste any time, a burst of feedback kicks you straight into a filthy low slung punked up stomp before the band switch mood to drop off into a doom abyss, singer Jake raging at the void.

'Argyraphaga' continues the pummelling groove, gradually descending into nihilistic sludge. In direct contrast the sprawling atmosphere of 'Lyceanid' travels through the darkness. Jake’s vocals harnessing the spirits of Scott Walker and Mark Lanegan in equal measure. The rest of the band (on top form throughout) focus the dynamics over eleven enthralling minutes, as the song builds and builds to a towering crescendo before finishing with a plaintive acoustic coda. This is pure Grave Lines’. An immersive blend of darkness and light. 'Tachinid' is a violent palette cleanser, harsh industrial synths astride a hateful droning spoken word sermon. 'Carcini' is soaring melancholic doom, with the band at their most melodic whilst still able to crush the listener. Broodsac, with its circular riffs, is all gothic post punk noise rock meets fuzz fat riffs, and album closer ‘Sinensis’ offers a final delicate, melancholy moment of calm before launching into an industrial charged grind into oblivion. 

Grave Lines’ fusion of elements makes them one of the most powerful and mesmerising bands inhabiting the heavy music world at the moment, and with Communion they have crafted an album that encapsulates their distinctive dynamic perfectly.