1
UK / US
Album artwork for Em Cantos De Orisa by Irma Ferreira

Among Orikis and Aduras, the album "Em Cantos de Orisa" (Orisa Chants) by the singer Irma Ferreira, shows some of the beauty of the Afro-brazilian religious repertoire of the Candomble, in a junction between tradition and contemporary music. It has nine songs divided between prayers (Aduras) and chants (Orikis). In this way, through the songs for the Ori?as, the album walks between music making and religiosity and brings this ancestral magic to the listener. In addition to Irma Ferreira's voice "Em Cantos de Orisa" is produced by Sebastian Notini, also playing different instruments, percussion by Oga Luan Badaro, guitar by Ruan de Souza and a small traditional Candomble choir formed by Angelica Ferreira, Everton Neves, Luan Badaro and Jota Oliveira. It also features the wind instruments of Ari Haraldsson, in addition to the phonetic revision of the historian and researcher of Afro-brazilian religious culture Everton Neves

Irma Ferreira

Em Cantos De Orisa

Ajabu!
Album artwork for Em Cantos De Orisa by Irma Ferreira
CD

£17.99

Released 09/06/2023Catalogue Number

CD30314

Irma Ferreira

Em Cantos De Orisa

Ajabu!
Album artwork for Em Cantos De Orisa by Irma Ferreira
CD

£17.99

Released 09/06/2023Catalogue Number

CD30314

Among Orikis and Aduras, the album "Em Cantos de Orisa" (Orisa Chants) by the singer Irma Ferreira, shows some of the beauty of the Afro-brazilian religious repertoire of the Candomble, in a junction between tradition and contemporary music. It has nine songs divided between prayers (Aduras) and chants (Orikis). In this way, through the songs for the Ori?as, the album walks between music making and religiosity and brings this ancestral magic to the listener. In addition to Irma Ferreira's voice "Em Cantos de Orisa" is produced by Sebastian Notini, also playing different instruments, percussion by Oga Luan Badaro, guitar by Ruan de Souza and a small traditional Candomble choir formed by Angelica Ferreira, Everton Neves, Luan Badaro and Jota Oliveira. It also features the wind instruments of Ari Haraldsson, in addition to the phonetic revision of the historian and researcher of Afro-brazilian religious culture Everton Neves