We'll never know for sure what artistic heights Jeff Buckley might have gone on to reach, since he was taken from us so obscenely early, with only time enough to complete one album and begin work on a second. With the help of SKETCHES, though, we can make some educated guesses. This double-disc, lovingly assembled by Buckley's friends, colleagues and family, gathers together both his studio efforts and home 4-track demos for the album he was trying to complete up until his tragic drowning. The studio sessions, produced by Tom Verlaine, find Buckley downplaying his phenomenal vocal abilities somewhat, in favour of focusing on the songs, from the Zeppelinisms of "The Sky Is A Landfill" to the undoubtedly Nusrat Fateh Ali Khan-influenced "New Year's Prayer" and the beautiful, ethereal "You & I". The home demos show Buckley's more experimental, playful side, an aspect of his music presumably encouraged by his pals/heroes The Grifters, whose lo-fi masterpieces inspired Buckley to work in the same studio in Memphis. The closing "Satisfied Mind", from an earlier live radio broadcast, is a touching elegy to an artistic flame that was extinguished far too soon.
We'll never know for sure what artistic heights Jeff Buckley might have gone on to reach, since he was taken from us so obscenely early, with only time enough to complete one album and begin work on a second. With the help of SKETCHES, though, we can make some educated guesses. This double-disc, lovingly assembled by Buckley's friends, colleagues and family, gathers together both his studio efforts and home 4-track demos for the album he was trying to complete up until his tragic drowning. The studio sessions, produced by Tom Verlaine, find Buckley downplaying his phenomenal vocal abilities somewhat, in favour of focusing on the songs, from the Zeppelinisms of "The Sky Is A Landfill" to the undoubtedly Nusrat Fateh Ali Khan-influenced "New Year's Prayer" and the beautiful, ethereal "You & I". The home demos show Buckley's more experimental, playful side, an aspect of his music presumably encouraged by his pals/heroes The Grifters, whose lo-fi masterpieces inspired Buckley to work in the same studio in Memphis. The closing "Satisfied Mind", from an earlier live radio broadcast, is a touching elegy to an artistic flame that was extinguished far too soon.