Name: Die Mensch-Maschin
Brand: Kraftwerk

Bonus disc

Bonus disc: No

Catalogue number

0190295272319

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Colour

Colour details

Translucent Red

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Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-10-09

Signed copies

Signed copies: No

Supplier GB

Warner Music Group

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / red

Artist

Kraftwerk

Genre GB

Krautrock

Label GB

Parlophone

Kraftwerk is a German group that was formed in Düsseldorf in 1970. The original trio consisted of Ralf Hütter, Florian Schneider-Esleben, and Charly Weiss. They debuted live at the Tivoli Popfestival in Aachen on July 11, 1970. Over the years, there have been various line-up changes with members such as Klaus Dinger, Michael Rother, and Karl Bartos. Hütter has been a consistent member since September 1971.

The current members of Kraftwerk include Ralf Hütter on lead vocals, vocoder, synthesizers, keyboards, organ, drums and percussion, guitar, and bass guitar; Henning Schmitz on electronic percussion and sound engineering; Fritz Hilpert on electronic percussion and sound engineering; and Falk Grieffenhagen as the video technician.

Throughout their career, Kraftwerk has collaborated with individuals such as Maxime Schmitt and Emil Schult who have contributed to their releases both lyrically and graphically.

Multinational label.
Label Code: [b]LC 0299 / LC 00299[/b]
[b]Please note, many Parlophone issues also carry an EMI logo. This is not a label and EMI should not be added as a label, it instead indicates that Parlophone was part of the EMI Group.[/b]

Parlophone is an anglicization of the German [l=Parlophon] label, registered as a trademark in 1902 by Max Straus and Heinrich Zuntz of [b]Salon Kinematograph Co. GmbH[/b], later merged into [l=Carl Lindström A.-G.]. The first Parlophon records are pressed in 1910. 

By 1923, Parlophone proper appears in London administered by English Lindström branch known as [l311921],  Parlophon records were pressed in London and sold locally. By 1926 extended operations extended to press for export in Australia (#cat A) until the australian factory [l=Parlophone Co. Ltd.] was created somewhere the next year. These companies were subsequently taken over by [l97841] in 1927, following its acquisition of [l275192] in 1926, thus becoming a constituent part of [l293204] (EMI) when that company merged with [l253617] in 1931.

The label largely operated as a Jazz and Novelty label until manager, [a=George Martin], signed the [a=The Beatles] in 1962. As a result of its subsequent success and profile, the label was earmarked for phasing out in 1973 in favour of [l=EMI] (the label), however the parlophone imprint continued to be used by registered trademark owner [l=EMI Records Ltd.] and affiliated companies.

In September 2012 following the acquisition of [l1330982]'s US and Asian interests by [l=Universal Music Group], Parlophone and the former EMI Records Ltd. were merged as the [l806790] (PLG Holdco Ltd.) and spun off to be sold. 

They were sold to [l=Warner Music Group] in March 2013.
The Parlophone label is now owned by [l=Parlophone Records Ltd.], the re-named EMI Records Ltd., itself a subsidiary of [l=Warner Music International].

The Beatles were not part of the Parlophone Label Group and their catalogue was acquired by [l=Universal].

[b]This label contains releases on multinational markets. Do NOT create imprints for different countries. Cover that information on new releases with the country field and with notes about the release (releasing company, ℗&© note, mechanical rights etc.).[/b]

German Version. Bold new look, sound and concept for Kraftwerk. Over supple processed rhythms which predate the rise of European techno and trance, they address automation and alienation, space travel and engineering, The seductive allure of urban landscapes and the vacant glamour of celebrity. Clipped and funky, The Robots adds another dimension to Kraftwerk's ultra-dry sense of humour. Behind its intoxicating melodic pulse, The Model is a highly prophetic satire on the beauty industry, so ahead of its time that it only becomes a UK chart-topper by accident three years later. And Neon Lights is Kraftwerk's most achingly romantic song to date, a sci-fi lullaby for cities at twilight. Pure magic.

Die Mensch-Maschin

Music GB