Name: On The Corner - Mobile Fidelity Edition
Brand: Miles Davis

Bonus disc

Bonus disc: No

Catalogue number

LMF518SV

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2024-05-31

Signed copies

Signed copies: No

Supplier GB

F Minor

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

9999

Black LP

Artist

Miles Davis

Genre GB

Jazz

Label GB

Mobile Fidelity

Trumpeter, bandleader, composer, and one of the most important figures in jazz music history. Miles Davis adopted a variety of musical directions in his five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born on May 26, 1926 in Alton, Illinois, USA and passed away on September 28, 1991 in Santa Monica, California at the age of 65. He is best known for his seminal modern jazz album "Kind of Blue" (1959), which remains the highest selling jazz album of all time with six million copies sold.Miles Davis studied at an academic school for musicians in NYC where he met Charlie Parker and they started playing together from 1945. In 1948, Miles Davis formed his own ensembles and collaborated with Gil Evans to create The Miles Davis Nonet. Their recordings from 1949 to 1950 resulted in the album "Birth of the Cool" (1957) and laid the foundation for their future collaborations.A pioneer of 'Hard Bop' in the mid-1950s, Miles Davis constantly pushed boundaries throughout his career. In the late 1960s, he ventured into experimenting with electronic instruments and incorporating rock and funk rhythms into his music. Despite health problems leading to a hiatus from playing in the mid-1970s, he made a comeback with an 'electronical' sound in 1980.

Established in 1977, Mobile Fidelity (MFSL) is a renowned label specializing in remastering major-label music for the discerning "audiophile" market. With CD releases starting in 1984, MFSL has become synonymous with high-quality sound reproduction.

Known for their meticulous attention to detail, MFSL releases often feature unchanged copyright dates from the original release. However, most of their releases are issued a year or so later. The first Gold Ultradisc™ CD was introduced in February 1987, followed by the Gold Ultradisc II™ (Made in USA) CD in September 1992.

MFSL takes pride in their branded labels and ensures that all their releases are remastered by their own Sound Labs. Their catalog of releases can be found on the "Sites" section. Notably, limited editions were prevalent during the label's early years and featured an information sticker on the shrink wrap. Additionally, numbered retail copies often had corresponding unnumbered promotional versions.

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its ground-breaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches – the likes of which fill Davis' boldest and most controversial – undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling.

Mastered from the original master tapes and pressed at RTI, this numbered edition 180g LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid audiophile-grade sonics. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can even discern the multiple levels of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines.

New degrees of spaciousness and airiness – equally important to the musique concrete arrangements – give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Our analogue version captures Teo Macero's innovative production – and the trumpeter's cutting-edge aural collages – in definitive fashion.

&nbsp;Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colourful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support. With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

On The Corner - Mobile Fidelity Edition

Music GB

Discover On The Corner - Mobile Fidelity Edition by Miles Davis. Vinyl LP with groundbreaking jazz and funk-loaded grooves. Mastered for audiophile-grade sonics. Label: Mobile Fidelity.