Album artwork for Bright Magic by Public Service Broadcasting
Album artwork for Bright Magic by Public Service Broadcasting

Public Service Broadcasting release their fourth album, Bright Magic, via Play It Again Sam. An album in three parts (Building A City / Building A Myth / Bright Magic), it is their most ambitious undertaking yet, bringing you to Europe’s heart and de facto capital, the cultural and political metropolis that is the ‘Haupstadt’ of the Federal Republic of Germany – Berlin.

Though PSB’s use of electronics and surging guitar rock remain familiar, Bright Magic uses samples, and the English language, sparingly. It differs from their previous albums in other ways: less linear and narrative, instead it’s an impressionistic portrait of a city from the ground up. A Eureka moment of sorts came in November 2018 when Willgoose heard Walter Ruttman’s radical Berlin tape-artwork Wochenende (or Weekend), which is sampled on three of Bright Magic’s tracks. Created in 1928, the piece collaged speech, field recordings and music into a sonic evocation of the city. Resolving to integrate these long-gone fragments with new manipulated sound sources, he set about making his own Wochenende, a narrative drama for the ears which decodes and realises the dreams of Berlin he’d constructed in his mind. J.Willgoose, Esq moved to Berlin from April 2019 to January 2020. Combining sound archaeology and the flâneuring of the psychogeographer, one street-level pursuit of the city’s energy involved Willgoose walking the Leipzigerstrasse, site of the city’s first electric streetlight, using a wide-band electromagnetic receiver from Moscow’s Soma Laboratories.

He wrote and recorded in Kreuzberg’s famous Hansa Tonstudio recording complex. This brought closer several inescapable musical touchstones: Depeche Mode’s classic eighties triumvirate, U2’s Achtung Baby and, crucially, Bowie’s Heroes and Low. Indeed, the Warszawa-evoking “The Visitor” – whose designated colour is the particular Orange of that album’s sleeve – was initially intended to feature a sample of Bowie reflecting. As well as EERA, the album’s other guest voices include Blixa Bargeld, veteran of The Bad Seeds and Einstürzende Neubauten, who becomes the voice of Berlin’s industry on the robo-teknik “Der Rhythmus der Maschinen”. Andreya Casablanca of Berlin garageistes Gurr stands in for Marlene Dietrich in “My Blue Heaven”, an anthem of proud self-determination. A very pro-European record, Bright Magic is ultimately not just about one city, but all centres of human interaction and community which allow the free exchange and cross-pollination of ideas.

Public Service Broadcasting

Bright Magic

PIAS
Album artwork for Album artwork for Bright Magic by Public Service Broadcasting by Bright Magic - Public Service Broadcasting
Album artwork for Album artwork for Bright Magic by Public Service Broadcasting by Bright Magic - Public Service Broadcasting
Album artwork for Bright Magic by Public Service Broadcasting
LP

£24.99£17.99

sale

Housed in Gatefold Sleeve, 20 Page 12” x 12” Booklet.

Black
Includes download code
Released 24/09/2021Catalogue Number

PIASR1230LP

Usually dispatched in 5-10 days

Album artwork for Bright Magic by Public Service Broadcasting
LP+

£24.99

Housed in Gatefold Sleeve, 20 Page 12” x 12” Booklet.

Orange Black Marbled

Includes download code
Released 24/09/2021Catalogue Number

PIASR1230LPX

Album artwork for Bright Magic by Public Service Broadcasting
CD

£11.99

Gatefold Remus-Spined Sleeve with 28 Page Booklet.

Released 24/09/2021Catalogue Number

PIASR1230CDX

Album artwork for Bright Magic by Public Service Broadcasting
LP+

£20.99

Includes Signed Print. Housed in Gatefold Sleeve, 20 Page 12” x 12” Booklet.

Orange Black Marbled

Signed Copy
Includes download code
Released 24/09/2021Catalogue Number

PIASR1230LPXSIGNED

Album artwork for Bright Magic by Public Service Broadcasting
LP

£79.99

Deluxe Hardback Book Edition with White Vinyl LP, Extra CD of Demos and 20 Page Book

White
Released 08/10/2021Catalogue Number

PIASR1230LPBK

Public Service Broadcasting

Bright Magic

PIAS
Album artwork for Album artwork for Bright Magic by Public Service Broadcasting by Bright Magic - Public Service Broadcasting
Album artwork for Album artwork for Bright Magic by Public Service Broadcasting by Bright Magic - Public Service Broadcasting
Album artwork for Bright Magic by Public Service Broadcasting
LP

£24.99£17.99

sale

Housed in Gatefold Sleeve, 20 Page 12” x 12” Booklet.

Black
Includes download code
Released 24/09/2021Catalogue Number

PIASR1230LP

Usually dispatched in 5-10 days

Album artwork for Bright Magic by Public Service Broadcasting
LP+

£24.99

Housed in Gatefold Sleeve, 20 Page 12” x 12” Booklet.

Orange Black Marbled

Includes download code
Released 24/09/2021Catalogue Number

PIASR1230LPX

Album artwork for Bright Magic by Public Service Broadcasting
CD

£11.99

Gatefold Remus-Spined Sleeve with 28 Page Booklet.

Released 24/09/2021Catalogue Number

PIASR1230CDX

Album artwork for Bright Magic by Public Service Broadcasting
LP+

£20.99

Includes Signed Print. Housed in Gatefold Sleeve, 20 Page 12” x 12” Booklet.

Orange Black Marbled

Signed Copy
Includes download code
Released 24/09/2021Catalogue Number

PIASR1230LPXSIGNED

Album artwork for Bright Magic by Public Service Broadcasting
LP

£79.99

Deluxe Hardback Book Edition with White Vinyl LP, Extra CD of Demos and 20 Page Book

White
Released 08/10/2021Catalogue Number

PIASR1230LPBK

Public Service Broadcasting release their fourth album, Bright Magic, via Play It Again Sam. An album in three parts (Building A City / Building A Myth / Bright Magic), it is their most ambitious undertaking yet, bringing you to Europe’s heart and de facto capital, the cultural and political metropolis that is the ‘Haupstadt’ of the Federal Republic of Germany – Berlin.

Though PSB’s use of electronics and surging guitar rock remain familiar, Bright Magic uses samples, and the English language, sparingly. It differs from their previous albums in other ways: less linear and narrative, instead it’s an impressionistic portrait of a city from the ground up. A Eureka moment of sorts came in November 2018 when Willgoose heard Walter Ruttman’s radical Berlin tape-artwork Wochenende (or Weekend), which is sampled on three of Bright Magic’s tracks. Created in 1928, the piece collaged speech, field recordings and music into a sonic evocation of the city. Resolving to integrate these long-gone fragments with new manipulated sound sources, he set about making his own Wochenende, a narrative drama for the ears which decodes and realises the dreams of Berlin he’d constructed in his mind. J.Willgoose, Esq moved to Berlin from April 2019 to January 2020. Combining sound archaeology and the flâneuring of the psychogeographer, one street-level pursuit of the city’s energy involved Willgoose walking the Leipzigerstrasse, site of the city’s first electric streetlight, using a wide-band electromagnetic receiver from Moscow’s Soma Laboratories.

He wrote and recorded in Kreuzberg’s famous Hansa Tonstudio recording complex. This brought closer several inescapable musical touchstones: Depeche Mode’s classic eighties triumvirate, U2’s Achtung Baby and, crucially, Bowie’s Heroes and Low. Indeed, the Warszawa-evoking “The Visitor” – whose designated colour is the particular Orange of that album’s sleeve – was initially intended to feature a sample of Bowie reflecting. As well as EERA, the album’s other guest voices include Blixa Bargeld, veteran of The Bad Seeds and Einstürzende Neubauten, who becomes the voice of Berlin’s industry on the robo-teknik “Der Rhythmus der Maschinen”. Andreya Casablanca of Berlin garageistes Gurr stands in for Marlene Dietrich in “My Blue Heaven”, an anthem of proud self-determination. A very pro-European record, Bright Magic is ultimately not just about one city, but all centres of human interaction and community which allow the free exchange and cross-pollination of ideas.