Name: Queens Of The Stone Age
Brand: Queens Of The Stone Age

Bonus disc

Bonus disc: No

Catalogue number

OLE1768LPE

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Colour

Orange

Colour details

Discogs ID

[r20712265]

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

With Obi Strip.

Format Music GB

Limited edition

Release date

2022-10-21

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0191401176835

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Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / orange

OLE1768LP

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Black

[r20567197]

Extended format: No

{"blocks": [{"data": {"text": "With Obi Strip."}, "type": "paragraph"}]}

0191401176811

{"blocks": [{"data": {"text": "0191401176811"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Queens Of The Stone Age

Genre GB

Alternative / Modern

Label GB

Matador

U.S. independent label based in NYC; for company roles and copyrights please consider [l390562] for the USA, [l=Matador Records Ltd.] for the UK company division and the generic company profile relating to either legal entities [l=Matador Records (2)] 
[b]Note that while some Matador releases are exclusive to North America or Europe, they use one numbering system for all releases, so it is not necessary to enter them under separate labels.[/b]

The Matador label began in 1989 when [a=Chris Lombardi] dragged the Austrian duo H.P. Zinker into Wharton Tiers’ Fun City studio to record OLE-001, ...and there was light. Run out of Chris’ New York apartment, Lombardi added artists such as the Dustdevils, Railroad Jerk and Superchunk to the initial roster. Joined by longtime Homestead Records manager Gerard Cosloy in 1990, Matador experienced its first taste of crazed media attention & big sales with the North American release of Teenage Fanclub’s debut long-player, A Catholic Education. Over the years, the label has moved from shoebox sized offices to larger and larger complexes, the staff has grown from 2 to 24, and the roster has simply exploded. As well as functioning as the North American home to Pavement, Liz Phair and The Jon Spencer Blues Explosion, Matador has helped artists such as Yo La Tengo, Cat Power, Cornelius, Solex, Pizzicato Five, Helium and the Arsonists reach audiences worldwide.

Matador has also served as the North American licensee for a number of exceptional international acts, including Belle & Sebastian, Mogwai, Boards of Canada, Red Snapper, Arab Strap and others. Since 1996, Matador has maintained separate offices and staff in London. In addition to supervising the promotion, sales and marketing of Matador titles on the continent, Matador Europe has also licensed recordings from some of North America’s most acclaimed new artists, M. Ward, Sleater-Kinney, Modest Mouse, and Superchunk to name a few.

While Matador has often been characterized (not by the label itself) as an underground or "indie" rock label, over the years, the label’s musical direction has grown, to the point where many hip hop, electronic and experimental acts play as prominent a role in the label’s sound & future as any number of singer/songwriters and rock bands. Sometimes all of the above converge.

During the 1990s, Matador entered into partnerships with [l=Atlantic] and [l=Capitol Records]. In 1999, Lombardi & Cosloy purchased back Capitol's 49% share of the label, and in 2002, [l613604] purchased 50% of the legal entities behind the Matador label / imprint [l390562] and [l291335] and took over Matador's worldwide marketing.

Queens Of The Stone Age is an alternative rock/stoner band that was formed in 1997 in Palm Desert, California, United States. Known for their unique sound and powerful performances, the band has gained a dedicated following over the years. With their distinct blend of hard rock, punk, and psychedelic influences, Queens Of The Stone Age have established themselves as one of the most influential bands in modern rock music.
Since their formation, Queens Of The Stone Age have released several critically acclaimed albums that have received widespread praise from both fans and critics alike. Their music often explores themes of darkness, introspection, and rebellion, creating a raw and intense listening experience.
With their energetic live shows and captivating stage presence, Queens Of The Stone Age continue to captivate audiences around the world. Whether you're a long-time fan or new to their music, exploring the discography of this iconic band is sure to be an unforgettable journey into the realm of alternative rock.

Restored classics, rare finds, and sought-after releases. Whether you're a vinyl enthusiast or a tape collector, we have something for everyone.

Reissues

Back In Stock

Reissue of the debut with frank Kozik art and original sequence. Upon the dissolution of the criminally overlooked Kyuss, guitarist Josh Homme pulled up stakes from the California desert for the pacific northwest to work on a new project concurrent with spending time on the road as second guitarist in Screaming Trees. Seeking a new sound, homme discarded the sludgy low-end expanses of his former band for much tighter song structure (for the most part) and honest-to-goodness capital 'h' hooks and what was originally christened Gamma Ray was quickly changed to Queens of the Stone Age shortly after birth. Homme returned to his old stomping grounds and reunited with latter day Kyuss drummer Alfredo Hernandez to record as a fake trio (bass player 'Carlo von Sexron' is a nom-de-boom for Homme) and Queens of the Stone Age came into full bloom. 'Regular John' introduces Homme as a smooth and assured vocalist with great melodic instinct. Tracks like 'Avon' and 'Walkin on Sidewalks' lock into heavy riffs that are in entrancing in their repetition and subtle shifts. And it's hard to believe that insistently catchy 'How to Handle a Rope' didn't make a greater impact on mainstream radio upon its initial release. Amidst the mid-fi riffage and willful experimentalism of an artist forging a new sound for himself are some killer guitar melodies that could have easily come from 1971, 1991 or 2011. And that's part of the timelessness of this unassuming debut album. Queens can only truly be classified as a 'rock band;' any attempt to narrow that down further would be to neglect the scope of Homme's broad body of work and the band's wide-reaching appeal.

Music GB