Name: Esperanto
Brand: Ryuichi Sakamoto

Bonus disc

Bonus disc: No

Catalogue number

WWSLP43

{"blocks": [{"data": {"text": "WWSLP43"}, "type": "paragraph"}]}

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2023-08-11

Signed copies

Signed copies: No

Supplier GB

Kudos

Tax rate GB

Standard:20

UPC / Barcode

3700604729808

{"blocks": [{"data": {"text": "3700604729808"}, "type": "paragraph"}]}

Total Cap

Black LP

WWSCD43

{"blocks": [{"data": {"text": "WWSCD43"}, "type": "paragraph"}]}

3700604729815

{"blocks": [{"data": {"text": "3700604729815"}, "type": "paragraph"}]}

Artist

Ryuichi Sakamoto

Genre GB

Electronic

Label GB

Wewantsounds

Ryuichi Sakamoto was a Japanese musician, composer, and actor born on January 17, 1952 in Tokyo, Japan. He studied at the Tokyo National University of Fine Arts and Music where he specialized in composition and electronic/ethnic music. Sakamoto began his career in the mid-1970s as a composer, arranger, and producer for popular rock, jazz, and classical artists in Japan. He gained fame as a member of the synth-rock band Yellow Magic Orchestra. Throughout his career, he collaborated with various artists including David Sylvian and appeared in films such as Merry Christmas, Mr Lawrence alongside David Bowie.
Sakamoto's musical talent extended to film scores as well. He won an Academy Award for his score to the 1987 film The Last Emperor directed by Bernardo Bertolucci. Additionally, he composed soundtracks for Pedro Almodovar's High Heels and Oliver Stone's Wild Palms. Sakamoto was married to Japanese pianist and singer Akiko Yano with whom he collaborated on some recordings.
Aside from his musical achievements, Ryuichi Sakamoto was also known for being critical of copyright law which he believed to be outdated in the information age. His legacy lives on through his daughter Miu Sakamoto who is also involved in the music industry under the alias Sister M.

Wewantsounds is a global label specializing in reissuing hard to find vinyl albums and releasing curated compilations. They work directly with the master owners to ensure that all releases are officially licensed. The label's range of music is diverse, spanning genres from Japan, the US, France, and the Middle East. Each release is carefully remastered for vinyl, preserving the original sound quality. Additionally, Wewantsounds prioritizes using original artwork whenever possible.

Back In Stock

Esperanto originally came out in 1985 and was Ryuichi Sakamoto's sixth solo album. Coming after his stint with the influential Yellow Magic Orchestra, and also the worldwide success of Sakamoto's 1984 soundtrack for the film "Merry Christmas Mr. Lawrence" (in which he starred alongside David Bowie), Esperanto was a return to Sakamoto's leftfield roots. ​Composed as the soundtrack to a performance by New York choreographer Molissa Fenley (a show commissioned by Japanese producer Shozo Tsurumoto), the album was masterminded by Sakamoto with the help of the cutting-edge electronic technology of the time (the only external contributions are by Arto Lindsay on guitar and Japanese composer Yas-Kaz on percussion). ​Indeed, the album is a fascinating soundscape experimenting with the new sampler technology - which, according to Ryuichi Sakamoto from a conversation with journalist Andy Beta mentioned in the liner notes, needed a computer that was huge at the time.

​Esperanto is composed of eight tracks displaying a varied mix of influences. "A Wongga Dance Song" is pulsating with rhythms while "A Rain Song" adopts a minimalist mode with its distinctive repetitive pattern. "Dolphins" and "A Carved Stone" are captivating ambient pieces showcasing Sakamoto's talent for setting beautiful abstract melodic ornaments over atmospheric tones. ​One of the highlights of the album is "Adelic Penguins", a fascinating proto techno piece with a funky twist stretching over six minutes which echoes the electro funk of 1981's album "Hidari Ude No Yume." "Ulu Watu", a collage-like piece featuring bird motives and a tropical soundscape closes the album with an experimental note. It's interesting to note that, a year later, the tracks from Esperanto would be turned into an experimental video project by New York visual artists Kit Fitzgerald and Nam June Paik collaborator Paul Garrin. ​A unique album in Ryuichi Sakamoto's rich discography, Esperanto is a groundbreaking work worth rediscovering in its full glory.

Esperanto

Music GB

Buy Ryuichi Sakamoto - Esperanto (Vinyl, CD) now from Rough Trade - independent purveyors of great music, since 1976.