Name: On Grace and Dignity
Brand: The Golden Dregs

Bonus disc

Bonus disc: No

Catalogue number

4AD0527LPE

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Colour

Clear

Colour details

Transparent

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Discogs ID

[r26032927]

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2023-02-10

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

191400052703

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Total Cap

Clear LP

4AD0527CD

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Extended format: No

191400052727

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4AD0527LP

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Black

Eco Black Vinyl.

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[r26145992]

191400052710

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Black LP

Artist

The Golden Dregs

Genre GB

Alternative / Modern

Label GB

The influential 4AD label was started in 1980 by music enthusiasts Ivo Watts-Russell and Peter Kent with financial help from Beggars Banquet, whose record store chain the pair worked for. Originally called Axis, they released an initial series of four 7" singles before finding out that the name Axis was already being used by another label. They quickly came up with a new name, 4AD, inspired by typography on a flyer announcing their releases. Under Ivo Watts-Russell's guidance, drawing influence from other UK indie labels such as Beggars Banquet, Postcard Records and Factory, 4AD quickly established a unique identity thanks to both the cover designs of Vaughan Oliver/v23 and the label's unique numbering system.

In 1992, 4AD entered a highly publicized Stateside distribution deal with Warner Bros. Records, opening offices in New York headed up by Robin Hurley. The label was largely run from California for most of the decade after Ivo Watts-Russell moved to Los Angeles in the mid-90s. In November 1999 it was announced that Martin Mills had taken over as chairman and relocated its HQ to London.

Decoding their unique numbering system reveals various formats like mail-order only releases (4AD), LPs (CAD), MP3 downloads (EAD), posters (FAD), videos (VAD) and more. The numeric portion of their catalog numbers

Highlighting their best musical memories, tracks and most importantly, albums which defined the past 12 months, we once again invite our staff (an ever-growing team of music aficionados) to share their personal album picks of 2023. An introduction to some real gems you most certainly won't regret discovering, highly complementary to our&nbsp;<a href="https://www.roughtrade.com/en-gb/collection/albums-of-the-year-2023">Albums of the Year list&nbsp;</a>with their varied styles and adventurous nature.

Staff Picks of the Year 2023

4AD welcomes songwriter and producer Benjamin Woods and his project, the Golden Dregs, to the roster.

Hailing from Cornwall – a county in south-west England that draws thousands of tourists on holiday, and where thousands of locals could never hope of affording one – Woods grew up with a keen awareness of that gap between idealism and reality. The Golden Dregs’ third album, On Grace and Dignity, considers his home and what it means to be shaped by a place – in this instance, Truro, Cornwall’s capital, home to a rare three-spired cathedral, a peaceful river and a lot of empty shops and flimsy out-of-town housing estates. Written, recorded and produced by Woods from his South London home and childhood bedroom in Truro, it was mixed by Ali Chant (Perfume Genius, Aldous Harding) who provided additional production.

On Grace and Dignity’s origins lie in winter 2020 when Woods lost his job in lockdown and moved back to his parents’ house. The only work he could get was as a labourer on a poorly run building site on the grimmest outskirts of Truro. “It was such a bleak winter – waist-deep in mud digging holes and rolling out turf on top of building waste, really grim stuff, which became the backdrop to the stories I was trying to write,” he adds, citing Raymond Carver, Lydia Davis and Richard Hugo as influences.

In among the personal reflections on loss of innocence and inferiority, Woods spins subtly interweaving narratives about survival, desperate acts of violence, loss and the limitations of community in the face of rapacious gentrification. Nevertheless, it is, appropriately for an album about home, somewhere you’ll want to spend a while. Life here proceeds at a graceful pace grounded by Woods’s deep voice, which seems to resonate from his feet as he delivers the sort of meticulously written lunar wisdom worthy of Lambchop’s Kurt Wagner, or the tidy yet revelatory koans of Silver Jews’ David Berman.

For the On Grace and Dignity artwork, he’s commissioned Bristol-based model-maker Edie Lawrence to construct an HO-scale fictional Cornish town. Christened Polgras, the 8 ft by 4 ft model features a viaduct, an estuary, a supermarket, new-build houses and industrial buildings; every song from On Grace and Dignity is represented by a scene in the town. “There’s different parts of the experience of growing up in Cornwall in there,” he says. “Some of it was from me looking at it when I was down there that winter, and some of it was me harking back to the experience of growing up there. It’s defined by that sense of duality, of coexisting realities,” he explains. “You’re geographically so far away, and it has a strong identity of its own, as well as a different landscape. It’s so rugged and bleak, but beautiful – which is what I really like in music.”

On Grace and Dignity

Music GB

Discover On Grace and Dignity by The Golden Dregs. Available in CD and LP formats from 4AD. A reflection on home and the realities of growing up in Cornwall.