Name: Everybody is Coming Down
Brand: The Good Life

Bonus disc

Bonus disc: No

Catalogue number

lbj221lp

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2015-08-14

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

648401022117

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

lbj221

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648401022124

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

The Good Life

Genre GB

Alternative / Modern

Label GB

Saddle Creek

Saddle Creek is an indie rock style label based in Omaha, Nebraska. Established in 1993 by Mike Mogis and Justin Oberst, the label was originally called Lumberjack Records. However, Mogis soon passed on his role to Conor Oberst, who took over as the head of the company. With a focus on independent music and a passion for supporting emerging artists, Saddle Creek has become a prominent name in the music industry.
Over the years, Saddle Creek has been home to various talented musicians and bands, including Bright Eyes, Cursive, and The Faint. Known for their unique sound and authentic approach to music-making, these artists have helped shape the label's identity.
With its headquarters in Omaha, Saddle Creek continues to be at the forefront of indie rock music. Their dedication to fostering creativity and providing a platform for up-and-coming talent makes them a respected authority in the industry.

Call it a soundtrack to Man's 21st century existential angst, 'Everybody's Coming Down' poses cosmic queries, contemplates regrets, questions self-worth, and examines the possibility of living in the moment, when memories are all that we truly take with us. And in some ways, that's the sweet spot front man and lyricist Tim Kasher inhabits: trying to make sense of this world of ours, and how and why we navigate it the way we do. 'Everybody's Coming Down' moves in a new direction musically and, in contrast to The Good Life's earlier releases, is very much a rock record. It is also the first that truly embodies the band as a whole, more so than any previous album. In blending elements of drummer Roger L. Lewis's love of classic rock, multi-instrumentalist Ryan Fox's chaotic approach to melody, Stefanie Drootin-Senseney's propulsive, tuneful bass parts and colorful vocal arrangements, and Kasher's deft, complementary song writing, the band sparked a vibrant evolution in sound. The gentler, folk-driven pop / rock for which the band is beloved remains (sonic sister album bookends '7 In The Morning' and 'Midnight Is Upon Us;' 'The Troubadour's Green Room'), but it is now mixed amongst guitars lines that unspool in a blaze across songs that hit harder and more viscerally ('Everybody,' 'Holy Shit'), as well as moments of distorted psychedelia and moody ambience ('Flotsam Locked Into A Groove,' 'Diving Bell,' 'How Small We Are'). Kasher began writing songs for a new album in October 2013, and the quartet - balancing their busy lives and multiple projects - reconvened from July to December 2014 to finish writing what became Everybody's Coming Down. With the help of Ben Brodin in Omaha's ARC Studios, The Good Life started recording in January of this year and finished the album in their respective homes. The band then turned to John Congleton (St. Vincent, Baroness, Angel Olsen, Cloud Nothings) to mix the album at his Elmwood Recording in Dallas, TX, looking to his experienced hand and uninhibited style to maintain and further realize the album's untempered, vital sound. And vital it is: 'Everybody's Coming Down' might not crack the ever-elusive code to our universal wonderings, but it'll make you think, illuminate a new or alternative perspective, perhaps salve a lonely ache of isolation. Because we are, ultimately, all in this together - forever coming down.

Everybody is Coming Down

Music GB