Album artwork for Buzzin' Fly - Live Anthology 1968-1973 by  Tim Buckley

Tim Buckley possessed a golden voice that spanned the range from baritone to tenor. More importantly, he knew what to do with it. Sometimes he used it simply as a vehicle to carry the lyrics. Other times he used it as an extraordinary musical instrument in its own right. This box contains three live albums on four CDs from Buckley's classic phase: "Dream Letter - Live in London 1968" (on two CDs), "Live At The Troubadour 1969" and "Honeyman - Recorded Live 1973". These performances feature eight songs that were never otherwise recorded, alongside selections from Goodbye And Hello, Happy Sad, Blue Afternoon, Lorca, Greetings From LA and Sefronia. The booklet features the three original notes from the 1990, 1994 and 1995 releases of the live sets, including a lengthy essay by Buckley's guitarist Lee Underwood.

Tim Buckley

Buzzin' Fly - Live Anthology 1968-1973

Edsel
Album artwork for Buzzin' Fly - Live Anthology 1968-1973 by  Tim Buckley
CDx4

£24.99

Released 14/12/2017Catalogue Number

edsl0005

Learn more
Tim Buckley

Buzzin' Fly - Live Anthology 1968-1973

Edsel
Album artwork for Buzzin' Fly - Live Anthology 1968-1973 by  Tim Buckley
CDx4

£24.99

Released 14/12/2017Catalogue Number

edsl0005

Learn more

Tim Buckley possessed a golden voice that spanned the range from baritone to tenor. More importantly, he knew what to do with it. Sometimes he used it simply as a vehicle to carry the lyrics. Other times he used it as an extraordinary musical instrument in its own right. This box contains three live albums on four CDs from Buckley's classic phase: "Dream Letter - Live in London 1968" (on two CDs), "Live At The Troubadour 1969" and "Honeyman - Recorded Live 1973". These performances feature eight songs that were never otherwise recorded, alongside selections from Goodbye And Hello, Happy Sad, Blue Afternoon, Lorca, Greetings From LA and Sefronia. The booklet features the three original notes from the 1990, 1994 and 1995 releases of the live sets, including a lengthy essay by Buckley's guitarist Lee Underwood.