Name: No Highs
Brand: Tim Hecker

Bonus disc

Bonus disc: No

Catalogue number

KRANK239LP

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2023-10-06

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

0796441823918

Total Cap

Black LPx2

Artist

Tim Hecker

Genre GB

Electronic

Label GB

Kranky

Tim Hecker is an electronic musician and sound artist based in Los Angeles, United States and Montreal, Canada. He has gained international recognition for his unique recordings released under his own name. With a background in government work, Hecker's music showcases his innovative approach to electronic soundscapes.

Originally recording under the moniker Jetone, Tim Hecker has since established himself as a prominent figure in the electronic music scene. His atmospheric compositions blend elements of ambient, drone, and experimental genres to create immersive sonic experiences.

With a career spanning over two decades, Tim Hecker continues to push boundaries with his captivating soundscapes. His ability to manipulate and transform sounds into emotive narratives sets him apart as a visionary artist in the realm of electronic music.

Kranky is an American record label based in Chicago, Illinois. Established in 1993 by Bruce Adams and Joel Leoschke, Kranky has been a prominent force in the music industry since its inception. With a focus on the alternative and experimental genres, Kranky has released numerous groundbreaking albums over the years.

Known for their unique sound and innovative approach to music production, *Kranky* has become synonymous with quality and creativity. The label's publishing credits typically go to Kranky, Ltd., further solidifying their reputation as a trusted name in the industry.

With a catalog spanning from the 1990s to the 2000s, *Kranky* has consistently showcased talented artists who push boundaries and challenge conventions. Their commitment to supporting independent musicians sets them apart from other labels, making them a go-to destination for fans of cutting-edge music.

Back In Stock

The latest by Canadian composer Tim Hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue. Whether taken as warning or promise, No Highs delivers – this is music of austerity and ambiguity, purgatorial and seasick. A jagged anti-relaxant for our medicated age, rough-hewn and undefined. Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys. Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions “negation” as a muse of sorts – the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.

No Highs

Music GB