Album artwork for W H O K I L L by Tune-Yards

The brainchild of Merrill Garbus, tUnE-yArDs began life as dictaphone recordings which were then painstakingly mixed down on GarageBand to create her opening gambit, the debut album BiRd-BrAiNs. Initially released on a limited LP run with screen printed sleeves recycled from thrift store bargain bins, the album was formally released in late 2009. Alongside the record, she also started to build quite a reputation for her live performances. Using loop pedals, two mics, a snare drum, a ukelele, her distinctive voice (she's spent time teaching singing in Kenya) and crucially, a second band member, Nate Brenner on bass. The album, w h o k i l l, marks a time when everything came together in to one cohesive whole. Recorded in a studio and influenced heavily by her moving to Oakland, California, she and Nate made an album that delivered on her early promise. Lyrically Garbus explores constructs of femininity and sexuality with the threat of violence that lurks on the streets where she now lives, while the energy of their show has been translated perfectly to record.



Tune-Yards

W H O K I L L

4AD
Album artwork for Album artwork for W H O K I L L by Tune-Yards by W H O K I L L - Tune-Yards
Album artwork for W H O K I L L by Tune-Yards
LP

£24.99

Pink Green and Black Splatter

Limited to 500 copies
Released 12/06/2021Catalogue Number

CAD3106LPE

Usually dispatched in 5-10 days

Tune-Yards

W H O K I L L

4AD
Album artwork for Album artwork for W H O K I L L by Tune-Yards by W H O K I L L - Tune-Yards
Album artwork for W H O K I L L by Tune-Yards
LP

£24.99

Pink Green and Black Splatter

Limited to 500 copies
Released 12/06/2021Catalogue Number

CAD3106LPE

Usually dispatched in 5-10 days

The brainchild of Merrill Garbus, tUnE-yArDs began life as dictaphone recordings which were then painstakingly mixed down on GarageBand to create her opening gambit, the debut album BiRd-BrAiNs. Initially released on a limited LP run with screen printed sleeves recycled from thrift store bargain bins, the album was formally released in late 2009. Alongside the record, she also started to build quite a reputation for her live performances. Using loop pedals, two mics, a snare drum, a ukelele, her distinctive voice (she's spent time teaching singing in Kenya) and crucially, a second band member, Nate Brenner on bass. The album, w h o k i l l, marks a time when everything came together in to one cohesive whole. Recorded in a studio and influenced heavily by her moving to Oakland, California, she and Nate made an album that delivered on her early promise. Lyrically Garbus explores constructs of femininity and sexuality with the threat of violence that lurks on the streets where she now lives, while the energy of their show has been translated perfectly to record.