Name: Bless This Mess
Brand: U.S. Girls

Bonus disc

Bonus disc: No

Catalogue number

4AD0506LPE

Colour

Colour details

Discogs ID

[r26182712]

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2023-02-24

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

191400050600

Total Cap

Red LP

4AD0506CD

Extended format: No

1914000506242

4AD0506LP

Black

191400050617

Black LP

Artist

U.S. Girls

Genre GB

Alternative / Modern

Label GB

U.S. Girls is a Toronto-based art-pop project formed in 2007, consisting of American musician and record producer Meghan Remy with collaborators. With an impressive discography spanning over a decade, U.S. Girls has carved out a unique space in the music industry.
Their captivating sound draws influences from various genres, resulting in a mesmerizing blend of pop, rock, and experimental elements. Known for their thought-provoking lyrics and distinctive vocals, *Meghan Remy* delivers powerful performances that leave listeners captivated.
U.S. Girls' music has garnered critical acclaim and has resonated with fans around the world. Their ability to push boundaries while maintaining accessibility sets them apart from their peers. If you enjoy artists such as Lonnie Holley, Mega Bog, or Avey Tare, then U.S. Girls should be on your radar.

The influential 4AD label was started in 1980 by music enthusiasts Ivo Watts-Russell and Peter Kent with financial help from Beggars Banquet, whose record store chain the pair worked for. Originally called Axis, they released an initial series of four 7" singles before finding out that the name Axis was already being used by another label. They quickly came up with a new name, 4AD, inspired by typography on a flyer announcing their releases. Under Ivo Watts-Russell's guidance, drawing influence from other UK indie labels such as Beggars Banquet, Postcard Records and Factory, 4AD quickly established a unique identity thanks to both the cover designs of Vaughan Oliver/v23 and the label's unique numbering system.

In 1992, 4AD entered a highly publicized Stateside distribution deal with Warner Bros. Records, opening offices in New York headed up by Robin Hurley. The label was largely run from California for most of the decade after Ivo Watts-Russell moved to Los Angeles in the mid-90s. In November 1999 it was announced that Martin Mills had taken over as chairman and relocated its HQ to London.

Decoding their unique numbering system reveals various formats like mail-order only releases (4AD), LPs (CAD), MP3 downloads (EAD), posters (FAD), videos (VAD) and more. The numeric portion of their catalog numbers

Back In Stock

The highly anticipated eighth album by U.S. Girls, the nom de plume of North American multi-disciplinary and experimental pop artist Meg Remy, entitled Bless This Mess. A dynamic suite of dexterous melodies and a nuanced artistic response to the complexities of motherhood, Bless This Mess was crafted in tandem with the conception and birth of Remy’s twin boys. It expands the sonic and thematic palette of U.S. Girls, fusing the muses of funk, mythology, and the radical disorientation of joy into an electric tapestry of anthems, aches, and awakenings.

As Remy’s body changed so did her voice; her diaphragm lost breathing room, adjusting to the growing lives inside. Many takes on Bless This Mess were tracked with the babies in utero, or in her arms. (She even samples her breast pump on the album’s poetic closing cut, “Pump”). The resulting performances are suffused by the physicality of this journey: more blood, more feelings, the interwoven wonders, and wounds of procreation.

The ten songs on Bless This Mess were pieced together stem by stem with a vast cast of collaborators (Alex Frankel of Holy Ghost!, Marker Starling, Ryland Blackinton of Cobra Starship, Basia Bulat, Roger Manning Jr. of Jellyfish and Beck,) and audio engineers (Neal H Pogue, Ken Sluiter, Steve Chahley, Maximilian Turnbull). Long-time collaborator, husband, and co-parent Turnbull played a key role facilitating these fluid muses. The production throughout is exquisite, warm, and wood-panelled, framing the voice, keys, bass, and rhythms in heightened textural harmony.

Bless This Mess

Music GB