Name: Native North America Volume 1 - Aboriginal Folk, Rock and Country 1966 - 1985
Brand: Various

Bonus disc

Bonus disc: No

Catalogue number

LITA103CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Deluxe 2xCD set housed in a custom 7”x7” hardbound book with 84-pages.

Format Music GB

Limited edition

Release date

2021-03-12

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

826853010320

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Total Cap

2 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

LITA103LP

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Black

Deluxe 3LP set includes a 60-page book housed in a “Tip-On” slipcase with three “Tip-On” Sleeves.

826853010313

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3 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Various

Genre GB

Classic

Label GB

Light in the Attic

Light In The Attic (LITA) is an independent record label based in Seattle, Washington. Established in 2002 by two music enthusiasts, LITA began as a concert productions company before venturing into reissuing lost classics with modern packaging and production. With a passion for preserving and celebrating music history, LITA has become a respected authority in the industry.
Since its inception, LITA has been dedicated to unearthing forgotten gems and giving them new life. Their carefully curated catalog spans various genres and eras, showcasing the diversity of musical talent that may have otherwise been overlooked. From soulful R&B to psychedelic rock, LITA's releases are cherished by collectors and music lovers alike.
With their meticulous attention to detail and commitment to quality, LITA has gained recognition for their exceptional vinyl reissues. Each release is thoughtfully remastered from original tapes or best available sources, ensuring that the essence of the music is preserved while delivering an enhanced listening experience for modern audiences.

Back In Stock

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic's most ambitious and historically significant project in the label's 12-year journey. Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You'll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup'ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You'll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony. The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin 'Sipreano' Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface. With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system. Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it's bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States' Lower 48 and Mexico is currently in production. 34 tracks newly re-mastered.

Native North America Volume 1 - Aboriginal Folk, Rock and Country 1966 - 1985

Music GB