Name: Speak No Evil
Brand: Wayne Shorter

Bonus disc

Bonus disc: No

Catalogue number

744042

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

180 Gram Vinyl,

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Format Music GB

Limited edition

Release date

2021-04-16

Signed copies

Signed copies: No

Supplier GB

Universal

Tax rate GB

Standard:20

UPC / Barcode

0602507440428

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

4990012

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2015-01-23

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Wayne Shorter

Genre GB

Jazz

Label GB

Blue Note

Blue Note is a record label that has made a significant impact in the jazz genre. Founded in 1939 by Alfred Lion and Max Margulis, Blue Note focused on traditional jazz and swing recordings, producing timeless classics. In the 1950s, it became one of the first labels to feature bop musicians. After being acquired by *Universal Music Group* in 1965, Blue Note expanded its repertoire to include more commercially-oriented music like jazz-fusion. Throughout the years, Blue Note underwent various changes in ownership and reissue programs but continued to release new recordings and previously unreleased material.

In 1982, Blue Note catalog reissues began appearing on *United Artists Records*, which was owned by Michael Cuscuna who oversaw the UA-era reissue program. The label was later relaunched as part of *Capitol-EMI's* subsidiary *Manhattan Records* in 1985. It was during this time that Blue Note released key albums from its history and introduced previously unissued material.

In 1989, Blue Note became the division under which all of Capitol-EMI's jazz activities were organized. However, two years later, *Manhattan Records* was revived for smooth jazz and pop-jazz releases while Blue Note continued to thrive as a prominent label within Capitol-EMI's roster.

Wayne Shorter was a highly influential American jazz saxophonist and composer. Born on August 25, 1933 in Newark, New Jersey, USA, he left an indelible mark on the world of music. His innovative approach to improvisation and composition pushed the boundaries of jazz, earning him critical acclaim and numerous accolades throughout his career.
Shorter's contributions to the genre are immeasurable. He played alongside some of the greatest musicians of his time, including Miles Davis and Art Blakey. His unique sound and melodic style captivated audiences around the globe.
Tragically, Wayne Shorter passed away on March 2, 2023 in Los Angeles, USA. Despite his untimely departure from this world, his legacy lives on through his timeless recordings and enduring influence on generations of musicians.

Back In Stock

On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because of his previous associations with McCoy Tyner, Elvin Jones, and Reggie Workman on those recordings, Shorter had been unfairly branded with the "just-another-Coltrane-disciple" tag, despite his highly original and unusual compositions. Here, with only Jones remaining and his bandmates from the Miles Davis Quintet, Herbie Hancock and Ron Carter on board (with Freddie Hubbard filling out the horn section), Shorter at last came into his own and caused a major reappraisal of his earlier work. The odd harmonic frameworks used to erect Fee-Fi-Fo-Fum, with its balladic structure augmented with a bluesy regimen of hard bop and open-toned modalism, create the illusion of a much larger band managing all that timbral space. Likewise on the title track, with its post-bop-oriented melodic line strewn across a wide chromatic palette of minors and Hancock's piano pushing through a contrapuntal set of semi-quavers, the avant-garde meets the hard bop of the '50s head on and everybody wins. The loping lyric of the horns and Hancock's vamping in the middle section during Shorter's solo reveals a broad sense of humor in the saxophonist's linguistics and a deep, more regimented sense of time and thematic coloration. The set ends with the beautiful "Wild Flower," a lilting ballad with angular accents by Hancock who takes the lyric and inverts it, finding a chromatic counterpoint that segues into the front line instead of playing in opposition. The swing is gentle but pronounced and full of Shorter's singular lyricism as a saxophonist as well as a composer.

Speak No Evil

Music GB

Buy Wayne Shorter - Speak No Evil (Vinyl, CD) now from Rough Trade - independent purveyors of great music, since 1976.