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UK / US
Album artwork for Anomaly by What So Not

Anomaly is the new album from the Gold-selling, surf-obsessed Australia-based producer, What So Not. His production rifles through genres, dipping into everything from melodic bass and bombastic drops to cinematic builds and skittering beats and even classic rock styles. Having previously collaborated with legendary ‘Africa’ rockers Toto, Run The Jewels and Silverchair’s Daniel Johns amongst many others, What So Not’s new album features Oliver Tree and Killer Mike, who converge on the slow grooves-into-low-slung beats of ‘Mr. Regular’; MØ floating over the fluttering synths of ‘Mercy’, while DMA’s bring their ‘90s Britpop sensibility to ‘The Change’.

What So Not

Anomaly

Counter Records
Album artwork for Anomaly by What So Not
LP

£24.99

140g vinyl housed in a matte varnish sleeve and paper inners.

Burnt Pink

Includes download code
Released 16/09/2022Catalogue Number

COUNT238

Album artwork for Anomaly by What So Not
CD

£11.99

Printed gatefold wallet with matte varnish sleeve.

Released 16/09/2022Catalogue Number

COUNTCD238

What So Not

Anomaly

Counter Records
Album artwork for Anomaly by What So Not
LP

£24.99

140g vinyl housed in a matte varnish sleeve and paper inners.

Burnt Pink

Includes download code
Released 16/09/2022Catalogue Number

COUNT238

Album artwork for Anomaly by What So Not
CD

£11.99

Printed gatefold wallet with matte varnish sleeve.

Released 16/09/2022Catalogue Number

COUNTCD238

Anomaly is the new album from the Gold-selling, surf-obsessed Australia-based producer, What So Not. His production rifles through genres, dipping into everything from melodic bass and bombastic drops to cinematic builds and skittering beats and even classic rock styles. Having previously collaborated with legendary ‘Africa’ rockers Toto, Run The Jewels and Silverchair’s Daniel Johns amongst many others, What So Not’s new album features Oliver Tree and Killer Mike, who converge on the slow grooves-into-low-slung beats of ‘Mr. Regular’; MØ floating over the fluttering synths of ‘Mercy’, while DMA’s bring their ‘90s Britpop sensibility to ‘The Change’.